張雨生〈大海 / 口是心非〉× 葉蒨文〈瀟灑走一回〉鋼琴串接組曲致敬寶哥 Piano Cover Mix / Mashup

Описание: #張雨生 #寶哥 #葉蒨文 #大海 #口是心非 #瀟灑走一回 #陳大力 #陳秀男 #陳樂融 #王蕙玲 #張雨生大海 #張雨生口是心非 #葉蒨文瀟灑走一回 #TomChang #SallyYeh #WalkGracefullyOnce #TheOcean #MouthIsNot #Duplicity #華語金曲 #經典重現 #鋼琴改編 #PianoCover #鋼琴演奏 #PianoMix #音樂致敬 #MusicTribute #EdFu #edfupiano

1997年11月12日，張雨生（寶哥）永遠離開人世，享年31歲。
那時他的第十張個人國語專輯《口是心非》發行還未滿一個月——這張專輯被譽為他最成熟的作品，
也是華語樂壇中商業與藝術兼容並蓄的巔峰之作。
隔年榮獲金曲獎「最佳國語專輯獎」，
即使時至今日，每一首歌的創意與深度仍令人感佩。
人們不禁想問：
若他能多活幾年，華語音樂會被帶往怎樣的高度？

雨生可說是出道即巔峰。
以〈我的未來不是夢〉、〈天天想你〉等名曲紅遍大街小巷，
我小時候就看過他主演的電影《七匹狼》，
對他那溫暖明亮的笑容、清亮高亢的嗓音印象深刻。

然而他並不滿足於被塑造成偶像歌手。
他渴望推出全創作專輯。
退伍後陸續發行的《張雨生創作專輯》、
《卡拉OK·Live·台北·我》在藝術上獲得樂評讚賞，
卻在商業上表現平平。

在公司勸說下，他推出了以他人作品為主的《大海》、《還是朋友》，
以及創作與邀歌各半的《一天到晚游泳的魚》。
其中1992年的《大海》迎合市場口味，
由創作葉蒨文〈瀟灑走一回〉的陳大力、陳秀男為他量身打造同名主打，
成為傳唱度極高的經典名曲，
也讓他暫時走出《張雨生創作專輯》銷量不佳的陰霾。

這張《大海》專輯中，我最愛的其實是第一首〈我是一棵秋天的樹〉，
由陳志遠、許常德創作。
長達兩分十六秒的前奏，在當時的流行專輯裡極為罕見，
也充分展現了他對「商業與藝術平衡」的堅持。

隨後，唱片公司由飛碟轉為豐華，
他索性推出了概念性極強的《兩伊戰爭》雙迷你專輯：
《紅色熱情》唱別人寫的歌，
《白色才情》唱自己的原創作品。
從此，他更熟練地遊走於市場與理想之間，
逐步磨練出兼具藝術與商業的創作厚度。

1995至1997年間，他也轉向幕後，
為伊能靜、陶晶瑩、張惠妹等歌手製作專輯，
成為當時最受矚目的音樂製作人與詞曲創作者之一。

1997年，他迎來藝術與商業最成熟的階段，
推出了《口是心非》。
同名主打歌〈口是心非〉無論旋律、歌詞或編曲都令人驚艷：
搖滾結合異域風情的磅礡氣勢，
再加上深邃的情感與思想，
堪稱華語歌壇的里程碑之作。

「口是心非」這個名稱，
彷彿是他多年來在理想與現實之間掙扎的寫照。
〈大海〉的成功雖帶來掌聲，卻也掩藏著創作者的孤獨。
而我在偶然的靈感中發現——
〈口是心非〉就像是躲在〈大海〉背後的影子之作。
無論曲式、和弦進行、調性與情緒，
都彷彿一體兩面，彼此呼應。
或許這並非刻意，而是潛意識的自我回應——
那條藝術之江，終於匯流成包容萬象的「大海」。

在他離世滿28年的今天，
我錄下這首將〈口是心非〉與〈大海〉無縫結合的鋼琴版，
再融入〈大海〉作曲者陳大力／陳秀男與作詞人陳樂融／王蕙玲的另一首經典——葉蒨文〈瀟灑走一回〉。
三首歌交織成張雨生一生的縮影：
他在商業與藝術之間掙扎、尋找、突圍，
最終選擇以自由與瀟灑之姿遊走兩界，
成為啟發無數後輩的音樂宗師。

三軌鋼琴彼此交融、唱和，
是否也讓你聽見自己人生的那片「海」？
生命短暫如煙火，
願我們都能勇敢活出真我——
瀟灑走一回吧。✨

＊

🎹 Tom Chang (Zhang Yusheng) “The Ocean / Mouth Is Not” × Sally Yeh “Walk Gracefully Once”
Piano Tribute to Tom Chang – Piano Cover Mix

On November 12, 1997, singer–songwriter Tom Chang passed away at the age of 31.
At that time, his tenth Mandarin album “Mouth Is Not (Duplicity)” (Kou Shi Xin Fei) had been out for less than a month —
a work often seen as his most mature creation, perfectly balancing art and commerce.
It later won the Golden Melody Award for Best Mandarin Album,
and even now, each song still feels timeless and full of soul.
Many wonder: If he had lived longer, how far could Mandarin pop have gone?

Tom Chang rose to fame almost instantly.
With classics like “My Future Is Not a Dream” and “Thinking of You Every Day,”
he became a beloved voice of the 1990s.
I still remember watching him in The Wolves of Seven Brothers —
his warm smile and clear, powerful tone left a deep impression.

Yet he was never content with being an idol.
He longed to make his own music.
After his service, he released The Zhang Yusheng Creative Album and Karaoke Live in Taipei: Me,
both admired by critics but modest in sales.
Following label advice, he recorded more accessible works like The Ocean, Still Friends,
and The Fish That Swims All Day.
Among them, “The Ocean” (1992) —
written by Chen Dali and Chen Xiunan, the same team behind Sally Yeh’s “Walk Gracefully Once” —
became a defining classic that revived his career.

Later, he boldly released the conceptual double EP “The Iran–Iraq War”:
Red Passion (songs by others) and White Talent (his own).
From then on, he skillfully moved between the market and his ideals,
gradually developing a creative depth that balanced both art and commerce.

In 1997, at his creative peak, he released Mouth Is Not (Duplicity).
Its title song fused rock power, exotic sound, and emotional depth,
marking a milestone in Mandarin pop history.
The title itself mirrors his inner struggle between idealism and reality.
While The Ocean brought fame, it also carried quiet solitude.
To me, Mouth Is Not (Duplicity) feels like the hidden shadow of The Ocean —
two reflections of one artistic soul,
his inner river finally merging into a vast, forgiving ocean.

On the 28th anniversary of his passing,
I recorded this piano piece that seamlessly weaves together “Mouth Is Not (Duplicity)” and “The Ocean”,
along with Sally Yeh’s “Walk Gracefully Once.”
Together, these three songs paint a portrait of Tom Chang’s life —
his struggle between dreams and reality,
and his legacy as a musician who lived freely, bravely, and sincerely.

Three piano lines flow and echo like tides.
Can you hear your own ocean within them?
Life is brief, like fireworks in the night —
so let’s live true to our hearts,
and walk gracefully once. ✨