In the MIND of an 18th Century Musician - Analysis of Haydn's Keyboard Sonata n. 2

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How did an 18th century musician use to think?
What was his cognitive process?
And what were his musical paradigms?

The mindset of an 18th century musician was totally different from the one we have today.
The reason lies in the fact that they were taught three fundaments from when they were children.
Three important we must know, study and practice if we want to better understand, play effectively, and compose in a coherent style.

So which were the three fundaments of a 18th century musician?
1) Solmisation/Solfeggio
2) Basso Continuo/Harmony
3) Partimento
Solmisation/Solfeggio for the horizontal melodic dimension.
Basso Continuo/Harmony for the vertical harmonic dimension.
And Partimento for the Rhetorical and Stylistic disposition of the musical speech.
Let’s discover how is the mind of an 18th century musician by analyzing Haydn’s Sonata n. 2 in B-flat major!


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