Richardus Cochlearius 🎼 - your Musicus Practicus
🎼 Playing Music is Not Enough!
Today’s academic system has distorted the true way of learning Music and Composition. Exams, credits, and competition have suffocated the natural way great Masters of the past studied.
Music is not just theory—it’s a living art, passed down through experience, imitation, and practice. This essential truth has been lost.
But when all seems lost, grace bursts onto the scene!
Musicians worldwide are awakening. They are rediscovering ancient methods and learning to compose like the Masters of the past.
They are the Musici Prattici, and I am here to guide them.
📜 I teach the true way of understanding Music and composing as if you had lived in the Renaissance or Baroque era.
If you feel that playing is not enough, if you want to think like a real composer of the past, you are in the right place.
Рипель 37: Распознавание мажорных и минорных тональностей в теории старинной музыки – Музыкальная...
Функциональная гармония — отстой! Skibidyboppy, вперёд, Неаполь!
Рипель 35: Бах в школе для дискантистов и начало главы 2 с Gossip
C Minor Partimento: Monte Romanesca, Galant Schemata, The Partimento Method Exercises
Monte Romanesca, Galant Schemata, The Partimento Method Exercises
Келлер 15: Правило октавы в сопрано: Школа хоровой импровизации
Келлер 14: 16 способов для одной и той же каденции - Каденция 4: Школа хоровой импровизации
🧩 From Dance to Divine: Understanding Bach’s Chaconne in D Minor
🎶 Walther’s Ach Gott Bicinium: Echo, Imitation & Counterpoint in Lutheran Chorales
Partimento and Baroque Composition - Invertible counterpoint, 3rds and 6ths
Bach Sinfonia No. 3 in D Major (BWV 789) – Analysis & Secrets of Invertible Counterpoint
Montre Romanesca - Partimento, Counterpoint, improvisation, and Baroque Composition
Chorales And Partitas - Ach Gott, Versus 1, Organ Motet - Analysis
Gregorian Chant Practice: The Hidden Path of the Ordo Be Quadro Giacente
Composing a Menuet in less than 30 minutes
Composing a MENUET in the Baroque Style by @Noah Orton - Menuet in A Major
Riepel 32 - Fa Mi and Mi Fa in Diminutions and Passages
Modality in Cantus Firmus - Gregorian Chant: VII vs VIII Tonus
Baroque Menuet Composition: Reviewing a menuet by @Noah Orton
![[Download Free] Baroque Harmony Explained Through a Partimento](https://ricktube.ru/thumbnail/RXAoO7yykxc/mqdefault.jpg)
[Download Free] Baroque Harmony Explained Through a Partimento
BWV 851 From 2 Measures to a Masterpiece: Bach’s Fugue in D minor Explained
How to Compose a French Gavotte! #baroque #musictheory #composition
Parallel 8ves in J. S. Bach's chorale!!!!! #musictheory #bach #composition
J. S. Bach: Goldberg Variations Aria #baroque #bach #musictheory
Fa and Mi in every Hecachord in any Key - Hexachordal Solmization - Baroque and Renaissance Music
Bach’s Sarabande Explained: Rhythm in French Suite No. 5
Partimento A Major n. 2 Exercise Parallel 3rds and 6ths - The Partimento Method
Sarabande from English Suite n.4 in F Major BWV 809 - Phrasing and Rhythm - Suite and Dances
Gregorian Chant - Cantus Firmus Oral Exam: Loquebar de testimonijs - in Decollatione S. Iohannis
Riepel 25 - Imbroglio (Tangle), rhythm, and jest for the cellist -Foundations of Musical Composition