10 min of Endogen Live | Why This Instrument Exists? I use it like this

Описание: CDM's Article: https://cdm.link/endogen-lowercase-sy...
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   • Endogen \ Lowercase Synthesis & Generative...  

This was originally created as a personal instrument a kind of playable album, built around my microsound, concrete and generative aesthetic.
Only later did I decide to open it up and share it, turning it into an open instrument that anyone can explore and adapt to their own way of working with sound.

In this video I show a typical live performance use.
With the integration of the sampling section (Reservoir Sampler), alongside modal, additive and wavetable synthesis and generative processes, the instrument has become more complete and flexible, suitable not only for studio work but also for live performance.

It is used to create evolving textures, soundscapes, microsounds and slow generative structures, with references to lowercase music and deep listening practices close to the work of artists such as Steve Roden.

It is not designed as a traditional instrument, but as a constantly evolving sound environment where synthesis, analysis and sampling coexist and influence each other.

A perhaps unconventional way of sharing one’s musical aesthetic not as finished tracks, but as an instrument to inhabit, play and let sound emerge.