【新浪潮．新海岸】放映：《玻璃，少女。》New Waves, New Shores screening: Glass Tears

Описание: 【新浪潮．新海岸：康城導演雙週50遇見香港電影】
放映：輕狂吶喊19/69──康城導演雙週及香港電影的新作風（客席策展人：徐匡慈）6/6 - 23/6
門票現已於城市售票網發售：https://bit.ly/2YFO49v

合共上映十六部來自康城影展導演雙週及香港電影的佳作，提供平台予資深電影人和新晉電影人與觀眾進行無分年齡、無分國籍的深入交流。

#玻璃少女
導演：黎妙雪
香港 | 2001 | 92 mins | 粵語及國語對白，中、英文字幕 | 35mm |彩色
演員：羅烈、郭善璵、徐天佑、吳家麗、劉以達

2001 夕張國際奇幻電影節「年輕奇幻競賽」特別評審團大獎
2001 康城導演雙週
2002 香港電影金像獎傑出青年導演及最佳新演員提名

日期及時間：7/6/2019 (五) 9:10pm*
導演黎妙雪及演員徐天佑將出席映後談。

早在「千禧世代」成為坊間話題之前，《玻璃，少女。》就已經隨意把玩新世紀少年的虛無。羅烈飾演的退休公安來到香港尋找失蹤的孫女，結果和自稱孫女債主的少女結交朋友……電影把剛過九七找不著方向的年輕生命如實呈上，戲中人和他們身處的城市都像未能走出過渡。黎妙雪的導演處女作，既是新一代影人的登場，也是昔日巨星的謝幕。

映前映後 ：《玻璃，少女。》於2001年的導演雙週上國際首映，是首次有香港導演首作就亮相康城。她之後拍攝的《戀之風景》，製作和演員陣容更強大，入選了2003年威尼斯影展的主競賽。

放映電影詳情：https://bit.ly/2KKqLJw

Screenings: Primal Screams 19/69 - New Expressions in Cinema from Cannes Directors' Fortnight and Hong Kong (Guest Curator: Clarence Tsui)
6/6 - 23/6

Tickets are available at URBTIX now: https://bit.ly/2YFO49v

A selection of 16 films – to be screened as pairs of Fortnight and Hong Kong films- for intergenerational and international dialogues between veteran and young filmmakers, and different audiences.

Glass Tears
Director: Lai Miu-suet
Hong Kong | 2001 | 92 mins | In Cantonese and Mandarin with Chinese and English Subtitles | 35mm | Colour
Cast: Lo Lieh, Zeny Kwok, Chui Tien-you, Carrie Ng, Tats Lau

Award
Judges Special Prize in Young Fantastic Competition, Yubari International Fantastic Film Festival 2001

Nomination
Nominated for Best New Director and Best New Performer, Hong Kong Film Awards 2002

Festival
Cannes Directors’ Fortnight 2001

Date & Time: 7/6/2019 (Fri) 9:10pm*
*Director Lai Miu-suet and actor Chui Tien-you will attend after-screening talk.

Well before the concept of "millennials" caught on in Hong Kong's social narrative, Lai Miu-suet managed to flirt with the aimlessness of turn-of-the-century youth in Glass Tears. Having converted from a career in marketing to filmmaking, Lai's directorial debut revolves around a retired mainland cop (Lo Lieh) who ventures into foreign territory - that is, Hong Kong - in order to look for her missing granddaughter. Such noir-ish beginnings soon give way, however, as the old man strikes up a friendship with a teenager (Zeny Kwok) who, as she claims, is willing to help in his mission so as to collect a debt from his granddaughter. A sturdy, sensationalism-free study of post-adolescent ennui in the freshly post-handover Hong Kong - when both people and their city seem trapped in some kind of in-between space - Glass Tears marks the arrival of a promising talent (both in terms of director and her cast) and the departure of a veteran (this is Lo's last film before he passed away in 2002).

Before and after: Glass Tears received its international premiere at the Directors' Fortnight in 2001, and became the first Hong Kong filmmaker to screen her debut at Cannes. With a bigger budget, more well-known stars and a foreign setting, her follow-up, The Floating Landscape, was selected for the Venice Film Festival's official competition in 2003.

Screening details: https://bit.ly/2KKqLJw

香港藝術中心 Hong Kong Arts Centre
Facebook:   / hongkongartscentre  
Instagram:   / hongkongartscentre  
Website: http://www.hkac.org.hk

香港藝術中心：流動影像 Hong Kong Arts Centre Moving Images
Facebook:   / hkartscentremovingimages  
Instagram:   / hongkongartscentremovingimages