Greek Islands Archeology - The Ancient Theatre, Delos
Автор: Greek Islands Archeology
Загружено: 2024-06-10
Просмотров: 172
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The construction on the Theatre of Delos began shortly after 314 BC and was completed 70 years later. The koilon (cavea), the audience area, was supported by a sturdy marble retaining wall. It is divided into two sections, upper and lower, of 26 and 17 tiers, respectively, with a seating capacity of approximately 6,500 spectators. Access to the koilon was either by the parodoi, i.e. two large gates on either side of the semi-circular orchestra, by another two entrances at the level of the passageway separating the two sections, or by a final one in the middle of the highest point of the koilon. The seats in the first row (the proedria) have been best preserved and are the only seats with back support, as they were reserved for honoured persons. The semicircular orchestra, which was the main part of the theatre, was closed on its straight side by the skene, the stage-building and dressing rooms, a rectangular structure with the external dimensions of 15.26 x 6.64 m. with three entrances on the east side and another on the west. In front of the skene was the proskenion, a colonnade 2.67 m. high with Doric semi-columns between which were movable painted panels. The metopes on the proskenion entablature were decorated with relief tripods and bulls’ heads. Later a portico was added to the other three sides of the skene, the same height as the proskenion, with Doric piers the bases of which have been preserved. The chorus moved in the semi-circular orchestra, while the actors played on top of the proskenion.The excavation of the Theatre was undertaken by the École Française d’Athènes in 1882 and published in 2007, in Exploration Archéologique de Délos XLII, Ph. Fraisse – J.-Ch. Moretti, Le Théâtre. During the course of the excavations, any marble architectural members obstructing the work were moved to the orchestra or into the nearby fields without being recorded or documented, with the result that hundreds of unidentified building stones from the monument are now scat tered around the surrounding area.
Music by Vangelis
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