Raga Sohani | Vidushi Dr. Ashwini Bhide Deshpande | Gunidas Sangeet Sammelan, 2021

Описание: Beautiful Rendition of Raag Sohani by Vidushi Ashwini Bhide Deshpande Live at Gunidas Sangeet Sammelan held at Ravindra Natya Mandir, Mumbai on 5th Feb 2021.

00:00 - Madhyalay Khayal : Ka Karu Na Mane Ree
10:47 - Drut Khayal : Nand Ke Suvan
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Raga: Raga Sohani
Taal: Teentaal(Madhyalay)
Matt Taal(Drut)
Composition: Ka Karu Na Mane Ree
Nand Ke Suvan
Composer: Ka Karu Na Mane Ree : Tavaqqul Husain Khan (Sanad Piya)
Nand Ke Suvan : Dr. Ashwini Bhide Deshpande
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tanpura & Vocal support: Rutuja Lad
Swarangi Marathe
Tabla: Pt. Vishwanath Shirodkar
Harmonium: Smt. Seema Shirodkar
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📝Lyrics:

*********** Ka Karu Na Mane Ree **********

स्थाई : का करू ना माने री सखी री
मोर मुकुट वारो ढीठ लंगरवा
पनीया भर डगर चलत ठिठोरी करत।।

अंतरा : सनद पिया मोरी मानत नाही
बार बार मोसे बरज़ोरी करत।।

*********** Nand Ke Suvan **********

स्थाई : नंद के सुवन जसोदा के नंदन
विष्णु अवतरण त्वं नमामि |

अंतरा : राधा मन हरन गोपीजन शरण
वृंदावन रमण त्वं नमामि ||

मोर मुकुट और पितांबर वसन
मुरली मधुश्रवण त्वं नमामि ||

गोवर्धन धरण कालिया निर्दलन
कंसराज खलन त्वं नमामि ||
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About Artists:

Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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