George Enescu - 7 Chansons de Clément Marot, Op.15

Описание: - - -
Intro : [0:00]
I. Estrene à Anne [0:05]
II. Languir me fais [1:20]
III. Aux damoyselles paresseuses d'escirre à leurs amys [3:12]
IV. Estrene de la rose [4:13]
V. Présent de couleur blanche [6:24]
VI. Changeons propos, c'est trop chanté d'amours [7:59]
VII. Du confict en doubleur [10:22]
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Vocal : Elena Mosuc
Piano : Sabine Vatin
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George Enescu, known in France as Georges Enesco, was a Romanian composer, violinist, pianist, conductor, and teacher and is regarded as one of the greatest musicians in Romanian history.
A child prodigy, Enescu began experimenting with composing at an early age. Several, mostly very short, pieces survive, all for violin and piano. The earliest work of significant length bears the title Pămînt românesc ("Romanian Land"), and is inscribed "opus for piano and violin by George Enescu, Romanian composer, aged five years and a quarter". Shortly thereafter, his father presented him to the professor and composer Eduard Caudella. On 5 October 1888, at the age of seven, he became the youngest student ever admitted to the Vienna Conservatory, where he studied with Joseph Hellmesberger Jr., Robert Fuchs, and Sigismund Bachrich. He was the second person ever to be admitted to the Vienna Conservatory by a dispensation of age, and was the first non-Austrian (in 1882, Fritz Kreisler had also been admitted at the age of seven; according to the rules, nobody younger than 14 years could study there).
Pablo Casals described Enescu as "the greatest musical phenomenon since Mozart" and "one of the greatest geniuses of modern music". Queen Marie of Romania wrote in her memoirs that "in George Enescu was real gold". Yehudi Menuhin, Enescu's most famous pupil, once said about his teacher: "He will remain for me the absoluteness through which I judge others", and "Enescu gave me the light that has guided my entire existence." He also considered Enescu "the most extraordinary human being, the greatest musician and the most formative influence" he had ever experienced. Vincent d'Indy claimed that if Beethoven's works were destroyed, they could be all reconstructed from memory by George Enescu. Alfred Cortot, one of the greatest pianists of all time, once said that Enescu, though primarily a violinist, had better piano technique than his own.