Uttam Kumar Best Scenes | Biresh in Nayak 1966 | বীরেশের অনুরোধ উত্তমকুমার রাখল না | IamSiddh

Описание: Today we’ll show Uttam Kumar Best scene in the Classic Bengali Movie “Nayak 1966”. Directed by Legendary Oscar Awardee Satyajit Ray, for which this is often called as one of the Gems of Satyajit Ray Movies or in the range of old Bengali movie as “সত্যজিৎ এর সেরা ১০” – Sera Satyajit. This is truly one of the best Uttam Kumar Movies acted by Uttam Kumar & Sharmila Tagore. There are numerous Uttam Kumar Evergreen Scenes here in this movie, but picked this particular one, where Sri Biresh, once bosom friend of Arindam Chatterjee, now a Superstar, requested Arindam’s presence with him but Arindam couldn’t honor his request.

Nayak, released in 6th of May 1966 in India and on 19th July 1974 in United States.

The Movie has been…
Directed by: Satyajit Ray

Produced by: R. D. Banshal & Sharankumari Bansal

Music by: Satyajit Ray

Cinematography by: Subrata Mitra

Edited by: Dulal Dutta & Satyajit Ray

Written by: Satyajit Ray

Starring:
Uttam Kumar - Arindam Mukherjee
Sharmila Tagore - Aditi Sengupta
Bireswar Sen - Mukunda Lahiri
Somen Bose - Shankar
Nirmal Ghosh - Jyoti
Premangshu Bose - Biresh
Jogesh Chatterjee - Aghore Chattopadhyay
Sumita Sanyal - Promila Chatterjee
Ranjit Sen - Haren Bose
Bharati Devi - Manorama (Mr. Bose's wife)
Lali Chowdhury - Bulbul (Mr. Bose's daughter)
Kamu Mukherjee - Pritish Sarkar
Susmita Mukherjee - Molly (Mr. Sarkar's wife)
Subrata Sensharma - Ajoy
Jamuna Sinha - Sefalika (Ajoy's wife)
Satya Banerjee - Swami of WWWW organisation


Background:
A famous actor of Bengali films, Arindam Mukherjee (Uttam Kumar), is invited to the capital, Delhi to receive a prestigious award. He travels by the train. The morning newspaper arrives and carries with it a article on an altercation he had been involved in. In the restaurant car, he meets Aditi Sengupta (Sharmila Tagore), a young journalist who edits a modern women's magazine, Adhunika.[2] Filled with contempt for the likes of him, she secretly plans to interview him because she thinks it would attract more readers. He soon starts to reveal his personality, and also brings to surface the inner insecurities and his consciousness of the limitations of his 'powers'. Aditi initially takes notes, surreptitiously, but later on, out of empathy almost bordering on pity, stops. However, critical of the star, she interrogates him, leading to further introspection on his part. Slowly, his guilt about the way things turned out is very visible.

#UttamKumar #UttamKumarBestScene #Nayak #Mahanayak #UttamSharmila #SatyajitRay #BengaliClassicMovie

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