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What The Top Performers In The World Know About The Body - Jean-Louis Rodrigue

Автор: Film Courage

Загружено: 2023-06-27

Просмотров: 7884

Описание: BUY THE BOOK - BACK TO THE BODY: Infusing Physical Life into Characters in Theatre and Film
https://amzn.to/3NPDI2Y

In this Film Courage video interview, Acting Coach and Specialist in the application of the Alexander Technique Jean-Louis Rodrigue shares how he assisted with the physical aspects of the roles of Leonardo DiCaprio in J. Edgar and Margot Robbie in I, Tonya, emphasizing the importance of actors immersing themselves in their characters and transforming not just through makeup and costume, but also in the way their bodies move. He likens the body to a musical instrument, with vibrations and variations of sound that can be harnessed for powerful performances. Rodrigue cautions against actors focusing too much on physical appearance, as it can limit their ability to express emotions and vulnerability.

Jean-Louis Rodrigue is an internationally recognized acting coach, movement director, and specialist in the application of the Alexander Technique to film, theater and television. In film, he coached actors and collaborated with directors in Passion Fish, Vice, J. Edgar, Life of Pi, W., I, Tonya, and many more. In theater, he collaborated with director Larry Moss and former NFL player Bo Eason in his play Runt of the Litter and playwright Pamela Gien in her Obie– and Drama Desk– award-winning one-person play, The Syringa Tree, both in New York and internationally. Jean-Louis has worked on- and off-Broadway and at major performing arts institutions such as Berlin International Film Festival, Cirque du Soleil, Los Angeles Philharmonic Institute, Getty Villa, Geffen Playhouse, Royal National Theatre, Piccolo Teatro di Milano, Verbier Festival, Royal Shakespeare Company. For the past 34 years, Jean-Louis has taught at the UCLA School of Theater, Film, and Television and the UCLA Herb Alpert School of Music. Jean-Louis lives in Los Angeles with his husband, Kristof Konrad.

STUDY WITH JEAN-LOUIS RODRIGUE
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