Jelly Roll Morton - Bert Williams 1938 (Classic New Orleans Jazz Piano Synthesia)

Описание: Bert Williams by Jelly Roll Morton.

Transcribed by Paul Marcorelles from ‪@blueblackjazz‬
check out the transcription: https://blueblackjazz.com/en/transcri...

And of course check out his site for all available transcriptions: https://www.blueblackjazz.com
Original recording:    • Jelly Roll Morton - Library Of Congress Re...  

Who was Bert Williams?
Wikipedia:
Bert Williams (November 12, 1874 – March 4, 1922) was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the Vaudeville era and one of the most popular comedians for all audiences of his time. He is credited as being the first Black man to have the leading role in a film: Darktown Jubilee in 1914.

He was by far the best-selling Black recording artist before 1920. In 1918, the New York Dramatic Mirror called Williams "one of the great comedians of the world."

Williams was a key figure in the development of African-American entertainment. In an age when racial inequality and stereotyping were commonplace, he became the first Black American to take a lead role on the Broadway stage, and did much to push back racial barriers during his three-decade-long career. Fellow vaudevillian W. C. Fields, who appeared in productions with Williams, described him as "the funniest man I ever saw—and the saddest man I ever knew.

Who was Jelly Roll Morton?
Wikipedia:
Ferdinand Joseph LaMothe, known professionally as Jelly Roll Morton, was an American ragtime and early jazz pianist, bandleader and composer who started his career in New Orleans, Louisiana.

Widely recognized as a pivotal figure in early jazz, Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential spirit and characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was the first published jazz composition. Morton also wrote the standards "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last a tribute to New Orleans musicians from the turn of the 20th century.

Morton's claim to have invented jazz in 1902 aroused resentment. The jazz historian, musician, and composer Gunther Schuller says of Morton's "hyperbolic assertions" that there is "no proof to the contrary" and that Morton's "considerable accomplishments in themselves provide reasonable substantiation". Alan Lomax, who recorded extensive biographical interviews of Morton at the Library of Congress in 1938, did not agree that Morton was an egotist:

In being called a supreme egotist, Jelly Roll was often a victim of loose and lurid reporting. If we read the words that he himself wrote, we learn that he almost had an inferiority complex and said that he created his own style of jazz piano because "All my fellow musicians were much faster in manipulations, I thought than I, and I did not feel as though I was in their class." So he used a slower tempo to permit flexibility through the use of more notes, a pinch of Spanish to give a number of right seasoning, the avoidance of playing triple forte continuously, and many other points". --Quoted in John Szwed, Dr Jazz.

This video quote:
"A black face, run-down shoes and elbow-out make-up give me a place to hide. The real Bert Williams is crouched deep down inside the coon who sings the songs and tells the stories." - Bert Williams
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0:00:00 Blackface pictures
0:00:10 Jelly Roll Morton - Bert Williams

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