The Dominant with a Substitute 6th
Автор: Dr. Ngim (Yim)
Загружено: 2021-01-23
Просмотров: 258
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Dominant chords with alterations are useful for adding variety to the V or V7 chord. One variation is to substitute the fifth of the V or V7 chord with a diatonic sixth above the root. This substitute 6th resolves by leaping down to the tonic (DO).
To write the dominant with a substituted 6th, write the normal dominant chord replacing the fifth of the chord with a sixth above the root (diatonically). For example, instead of GBD (V in the key of C), use GBE.
Notice that if you are using a triad (Vsub6), the chord may be confused with iii6. However, iii6 I would be an extremely unlikely progression. The use of the iii chord is somewhat rare.
To write the V7sub6, always keep the substitute 6th ABOVE the seventh of the chord. If the substitute 6th is below the 7th, the chord will be unpleasantly dissonant.
The note before the substitute sixth is usually the fifth of the V chord. It steps up and leaps down to the tonic. The motion of the voice containing the substitute 6th behaves like an escape tone, stepping up and then leaping down.
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