Loewensberg Verena 韋雷洛文斯博克 (1912-1986) Concrete Art Concretism Swiss

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Verena Loewensberg 韋雷洛文斯博克(* 28. May 1912 in Zurich ; † 27. April 1986 ibid) was a Swiss painter and representative of the Zurich School of Concrete .
Verena Loewensberg was born as the oldest daughter of a six-headed family of doctors in Zurich. After two years Kunstgewerbeschule in Basel (1927-1929) she was trained as a textile weaver in Speicher AR . In 1931 she married the designer Hans Coray . This was followed by art stays at the Academie Moderne in Paris, working with Auguste Herbin and the separation from her husband. In this time, the life-long friendship with the painter began Max Bill and his wife Binia.
In 1936 she painted the first concrete images and helped in 1937 with the founding of the Alliance , an association of modern artists in Zurich. In the center of which a brief break in the Zurich Concrete , whose core Loewensberg with Max Bill, Camille Graeser and Richard Paul Lohse was. She participated in their successful group exhibitions. They also let himself from work Vantongerloo and Mondrian inspired. In the 1950s and 1960s she worked for Guhl and Geigy. She also taught.
The dubious mother earned her livelihood with material designs and for a time conducted a music business at the Rössligasse in Zurich. From the 1970s she was able to live on her art.
Loewensberg's work is marked by its imagination, the denial of its own formulated theory, and the absence of any commentary, which also manifests itself in the non-existent image titles. I have no theory, I rely on that I can think of something , Verena Loewensberg used to say to her art. The late groups of works are influenced by Japanese asceticism and Far Eastern philosophy of life and are regarded as the highlights of their career.
Verena Loewensberg 韋雷洛文斯博克（生於1912年5月28日在蘇黎世，1986年†4月27日在蘇黎世）是Konkreten的蘇黎世學院的瑞士畫家和代表。
韋雷洛文斯博克在蘇黎世的六人組成的家庭醫生，為世界最古老的女兒。之後在巴塞爾（1927-1929）二年的美術學校的時候做了一個學徒在內存AR紡織織布工。 1931年，她嫁給了設計師漢斯·科賴。目前在Académie摩登在巴黎的藝術在國外，從奧古斯特HERBIN合作，與丈夫分離。在此期間，開始與畫家馬克斯比爾和他的妻子Binia一個終生的友誼。 1936年，她畫的第一個具體的形象，並在聯盟，現代藝術家在蘇黎世協會成立於1937年幫助。在它的中心，具體形成自己的核心Loewensberg馬克斯比爾，卡米爾蛾和理查德·保羅·洛斯設計師屬於。它參加了成功的群展。此外，他們被蒙德里安和Vantongerloo的啟發。兩個孩子的母親贏得了他們與織物設計生計和領導了在音樂商店Rössligasse在蘇黎世時間。從20世紀70年代，她從自己的生活藝術。
韋雷洛文斯博克工作是通過其巨大的聰明才智，自己的理論的否定，並沒有任何評論，這也表現在不存在的圖像標題制定。我已經沒有理論，我指示，我能想到的東西，韋雷Loewensberg用在她的藝術評論。以後的工作組由生活的日本人和遠東禁慾主義哲學的影響，並在她的職業生涯被視為高點。