My experience with Omori
Автор: LuKy Productions
Загружено: 2026-01-06
Просмотров: 235
Описание:
Omori is a game that stayed with me long after I finished it. Not because it hurt, but because it refused to justify suffering.
This video is a personal analysis of Omori, exploring its themes of guilt, self-forgiveness, friendship, and what it means to keep living after irreversible loss. It reflects on how the game reshaped the way I think about pain, responsibility, and healing (both in fiction and in my own life).
This project began as an unfinished script and footage from my first playthrough, left untouched for a long time. On Omori’s 5-year anniversary, I decided to finally bring it to life. This video blends gameplay footage with live commentary and general commentary. Some sections are skimmed over which is why I recommend still playing the game before you watch this video.
Because this story is about what happens when people are left alone with their pain, I wanted this video to do something tangible beyond words. I chose to support UGMH (United for Global Mental Health), an organization advocating for accessible mental health care worldwide.
If you’re able to donate, you can do so here:
https://unitedgmh.org/donate-to-unite...
If not, that’s completely okay. Caring, listening, and sharing are already powerful acts.
This channel exists for creative expression, reflection, and discussion. Not profit.
Thank you for watching, and take care of yourself.
CHAPTERS:
0:00 Introduction
0:22:45 Chapter 1 – The end's beginning
0:50:10 Chapter 2 – A sin against the self
1:24:47 Chapter 3 – The devil's bidding
2:37:13 Chapter 4 – A dream or a memory?
3:25:54 Chapter 5 – Even memories crave fantasies
3:59:00 Chapter 6 – The fog consumes
4:58:57 Chapter 7 – Even the dreamer is human
6:07:14 Chapter 8 – The distance between close friends
6:50:49 Chapter 9 – No more
9:00:38 Chapter 10 – Reflection and recollection
Chapters 7-9 are more or less live commentary to the final few sequences of the game. Proper analysis and discussions of the work as a whole are in Chapter 10.
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