Ernst Wilhelm Nay 恩斯特·威廉·尼 (1902-1968) Art Informel Germany

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Ernst Wilhelm Nay (1902, Berlin – 1968, Cologne) was a German abstract painter influenced by L'Art Informel.
Ernst Wilhelm Nay studied under Karl Hofer at the Berlin Art Academy from 1925 until 1928. His first sources of inspiration resulted from his preoccupation with Ernst Ludwig Kirchner and Henri Matisse as well as Caspar David Friedrich and Nicolas Poussin. Nay's still lifes, portraits and landscapes were widely acclaimed. In 1931 Nay received a nine-months' study bursary to the Villa Massimo in Rome, where he began to paint in the abstract Surrealist manner. On the recommendation of the Lübeck museum director, C.G. Heise, Nay was given a work grant financed by Edvard Munch, which enabled Nay to spend time in Norway and on the Lofoten Islands in 1937. The "Fischer- und Lofotenbilder" represented a first pinnacle of achievement. That same year, however, two of his works were shown in the notorious exhibition of "Degenerate art" and Nay was forbidden to exhibit any longer. He wasn't even allowed to paint nor buy ready made colours.
Conscripted into the German armed forces in 1940, Nay went with the infantry to France, where a French sculptor placed his studio at Nay's disposal where Nay could paint in secret. In the "Hekatebildern" (1945–48), featuring motifs from myth, legend and poetry, Nay worked through his war and postwar experiences. The "Fugale Bilder" (1949–51) proclaim new beginnings in a fiery palette and entwined forms. In 1950 the Kestner Gesellschaft Hannover mounted a first retrospective of Nay's work. The following year the artist moved to Cologne, where, with the "Rhythmischen Bildern" he took the final step towards entirely non-representational painting. In them he began to use colour purely as figurative values.
From 1955 Nay's painted "Scheibenbilder", in which round colour surfaces organize subtle modulations of space and colour. These are developed further in 1963/64 in what are known as the "Augenbilder". A first one-man-show in America at the Kleeman Galleries, New York, in 1955, participation in the 1956 Venice Biennale and the Kassel documenta (1955, 1959 and 1964) are milestones marking Nay's breakthrough on the international art scene.
Ernst Wilhelm Nay was awarded important prizes and is represented by work in nearly all major exhibitions of German art in Germany and abroad. The first English-language monograph of Nay's work was published by Ridinghouse in 2012.
恩斯特·威廉·尼（1902年，柏林 - 1968年，科隆）由L'ART非正式的影響，德國抽象派畫家。
恩斯特·威廉·尼下卡爾霍費爾就讀於柏林藝術學院從1925年直到1928年他靈感的來源首先是由於他與恩斯特·路德維希·基什尼爾和馬蒂斯以及卡斯帕·大衛·弗里德里希和尼古拉斯普桑當務之急。不然的靜物，人像和風景都廣受好評。 1931年內在羅馬，在那裡他開始在抽象的超現實主義的方式畫獲得了九個月的學習助學金的別墅馬西莫。在呂貝克博物館館長，C.G.的建議海澤，內沒能得到愛德華·蒙克，這使內花時間在挪威和1937年的“費UND Lofotenbilder”代表成就的第一個巔峰羅弗敦群島資助的工作補助。同年，然而，他的兩個作品都是在“墮落的藝術”的展覽臭名昭著顯示並不然被禁止出現任何更長的時間。他甚至不允許油漆也不買現成的顏色。
徵召入德國軍隊在1940年，內去與步兵法國，法國雕塑家放在他的工作室在不僅如此處置，其中尼可能秘密作畫。在“Hekatebildern”（1945年至1948年），包括來自神話，傳說和詩歌的圖案，不然他通過戰爭和戰後經歷的工作。在“Fugale BILDER”（1949年至1951年）宣布在火熱的調色板和交織在一起形成新的開端。 1950年凱斯特納協會展覽館漢諾威裝內工作的第一回顧展。次年藝術家搬到科隆，在那裡，用“Rhythmischen Bildern”他向了完全非具象繪畫的最後一步。在他們身上，他開始用純粹的顏色作為比喻值。
從1955年不然的畫“Scheibenbilder”，其中圓形彩色面組織的空間和色彩微妙的調製。這些將在什麼被稱為“Augenbilder”在1963年至1964年進一步發展。第一個單人秀在美國的卡里曼畫廊，紐約，1955年，1956年威尼斯雙年展和卡塞爾文獻（1955年，1959年和1964年）的參與標誌著里程碑不僅如此對國際藝術舞台上的突破。
恩斯特·威廉不然榮獲重要獎項，由工作在德國和國外德國藝術的幾乎所有大型展覽代表。不僅如此工作Ridinghouse於2012年出版的第一個英文專著。