The Witches Of Eastwick (1987) Explained In Hindi | Fantasy

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The Witches of Eastwick is a 1987 American dark fantasy-comedy film directed by George Miller and starring Jack Nicholson as Daryl Van Horne, alongside Cher, Michelle Pfeiffer and Susan Sarandon as the titular witches. The film is based on John Updike's 1984 novel of the same name, telling the story of three women who are unaware of the power of the words they speak; as they tell each other their deepest desires, a man (Nicholson) arrives just in time and fulfills them, but has a dark side of his own.

Cast
Jack Nicholson as Daryl Van Horne
Cher as Alexandra Medford
Susan Sarandon as Jane Spofford
Michelle Pfeiffer as Sukie Ridgemont
Veronica Cartwright as Felicia Alden
Richard Jenkins as Clyde Alden
Keith Jochim as Walter Neff
Becca Lish as Mrs. Neff
Carel Struycken as Fidel

Critical response
On Rotten Tomatoes the film has a rating of 76% based on 34 reviews. The site's consensus states: "A wickedly funny tale of three witches and their duel with the Devil, fueled by some delicious fantasy and arch comedic performances." On Metacritic, the film has a score of 67 out of 100 rating based on reviews from 11 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.
The Washington Post wrote that "Hollywood pulls out all the stops here, including a reordering of John Updike's original book to give you one flashy and chock-full-o'-surprises witches' tale." Janet Maslin in The New York Times commended the "bright, flashy, exclamatory style." Variety described it as a "very funny and irresistible set-up."
Some critics thought that the last part of the film spiraled into ridiculousness. The Washington Post wrote that the second half "lost its magic and degenerated into bunk." According to The New York Times, "beneath the surface charm there is too much confusion, and the charm itself is gone long before the film is over." Time Out wrote that "the last 20 minutes dive straight to the bottom of the proverbial barrel with a final crass orgy of special effects." Roger Ebert in the Chicago Sun-Times gave the film three-and-a-half stars out of four, acknowledging that "the movie's climax is overdone" yet added that "a lot of the time this movie plays like a plausible story about implausible people."
The majority of critics saw the film as a showcase for Nicholson's comic talents. The Chicago Sun-Times thought it "a role he was born to fill... There is a scene where he dresses in satin pajamas and sprawls full length on a bed, twisting and stretching sinuously in full enjoyment of his sensuality. It is one of the funniest moments of physical humor he has ever committed." The New York Times wrote that although "the performers are eminently watchable... none of them seem a match for Mr. Nicholson's self-proclaimed 'horny little devil'." Variety called it a "no-holds-barred performance," and wrote that the "spectacle of the film is really Nicholson." The Washington Post wrote that Nicholson was "undisputably the star of The Witches of Eastwick, despite formidable competition from his coven played by Cher, Michelle Pfeiffer, and Susan Sarandon," although even more praise was reserved for Veronica Cartwright in an eccentric, scene-stealing supporting role.
Ruth Crawford wrote: "This film includes many fantasy elements. By far the most fantastic of them is the depiction of a single mother of five, who has to work for a living and still has plenty of time and energy left to engage in wild adventures of sex and magic. If being a witch gives you the ability to do that, quite a few women I know would be very happy to sign up at the nearest coven."

Accolades
The film was nominated for two Academy Awards in the categories of Best Original Score (for John Williams' music) and Best Sound, losing both to The Last Emperor. The film did win a BAFTA Award in the category of Best Special Effects, and received a nomination for the Hugo Award for Best Dramatic Presentation. Williams was also nominated for a Grammy Award for Best Album of Original Instrumental Background Score Written for a Motion Picture or Television, and won a BMI Film Music Award.