Orlando (1992): The Fluidity of Gender

Описание: Sources
Sally Potter by Kristi McKim at: https://www.kristimckim.com/
Symbolism in V. Woolf's ― Orlando (Cognitive Tools of Figurative Thought) by Natalya Davidko — paper at: https://www.researchgate.net/profile/...
Mapping the Site of the Gendered Body in Potter’s Orlando (1992) by Helena Young — paper at: https://www.polyphonyjournal.com/post...
Can Clothing affect the Fluidity of Gender in Woolf’s ‘Orlando’? by Jaya Arora. (
Instagram:   / jayaaarora  .
A Feminine Cinematics: Luce Irigaray, Women and Film by Caroline Bainbridge; Chapter 6: Orlando and The Maze of Gender.
(Twitter: https://twitter.com/carobainbridge?la...
https://bio.site/profcarobainbridge).
‘Same Person… Just a Different Sex’: Sally Potter’s Construction of Gender in ‘Orlando’ by Catherine Craft-Fairchild.
https://cas.stthomas.edu/departments/...
The Greatest Literary Groups in History Article on Penguin Random House.
Lifestyle and Legacy of the Bloomsbury Group Article on Tate.
Orlando by Mark Smith
  / amancalledmark  
https://twitter.com/amancalledmark?la...
Work: https://www.thetimes.co.uk/profile/ma....
Orlando — 1992 Potter by Drake — article at: https://thecinemaarchives.com/2021/12...
Orlando review – Tilda Swinton is magnetic in Sally Potter’s swoony reverie by Peter Bradshaw
(Twitter:   / peterbradshaw1  
Amazon: amzn.eu/d/6ZOMb4u).
Orlando: The most subversive history film ever made by Rachel Pronger (https://www.rachelpronger.com/
Instagram:   / invisiblewomen_archives  .
Travels with Sally Potter’s Orlando: Gender, Narrative, Movement by Julianne Pidduck (Google Books: https://books.google.co.uk/books/abou...
https://www.linkedin.com/in/julianne-....
Unclothing Gender: The Postmodern Sensibility in Sally Potter’s ‘Orlando’ by Suzzane Ferris and Kathleen Waites (Suzzane: https://suzanneferriss.com/film-and-v... and Kathleen: http://www.kathleenjwaites.com/).
Scopophilia in Oxford Reference.
Present in the Picture: Potter’s Inclusion of the Audience in Orlando by Kate Bellmore (https://reelclub.wordpress.com/aboutt....
Gender, Sex, Societal Roles Go Wild in Woolfe’s ‘Orlando’ by Christopher J. Hernandez (https://www.thecrimson.com/writer/665....
Pathway: Cinematography and Shot Analysis in Orlando by Jake Stickley (https://www.linkedin.com/in/jake-stic...
http://www.sp-ark.org/myProfile.php?p...)
Queens and queenliness: Quentin Crisp as Orlando’s Elizabeth I by Glyn Davis (https://research-portal.st-andrews.ac...
https://www.bloomsbury.com/uk/author/....
Orlando (1992): Film Review of the Drama Starring Tilda Swinton by Jason Day on https://cinesocialuk.com/2020/04/26/o....
Queering the Oscars: The Costumes of "Orlando" by Cláudio Alves https://linktr.ee/claudioalvesdc
Orlando From 1600 to 1650 by Sarah Lorraine.
Orlando From 1650 to 1700 by Sarah Lorraine.
Orlando in the Victorian Era by Sarah Lorraine.
Orlando in the Mid-18th Century by Sarah Lorraine.
https://frockflicks.com/author/sarahb...
The Furniture: Orlando’s Otherworldly Pageantry by Daniel Walber https://www.instagram.com/dswalber/?h...
How Cult Genderqueer film Orlando Might Inspire the Met Gala by Chloe Esslemont.
https://artuk.org/discover/profile/ch...
The compromised sexual positioning of Orlando: postmodern play in gender and filmic conventions by Christina Lane.
  / christinalane01  
Orlando Film Review by Frederic and Mary Ann Brussat.
https://www.spiritualityandpractice.c...
The Mirror Didn’t Crack: Costume Drama and Gothic Horror in Sally Potter’s ‘Orlando’ by Sophie Mayer.
http://www.sophiemayer.net/content/ac...
Immortal Longing: Sally Potter on Orlando by Walter Donohue.
https://www.bfi.org.uk/profile/walter...
Feminist Commentary in Film Adaptation: An Analysis of Shelmerdine in Sally Potter’s Orlando (Virginia Woolf) by Laura Torres Zuniga.
https://scholar.google.com/citations?...

Timestamps
00:00 Introduction
01:12 The Division of Orlando/The Structure of Orlando
04:23 The Oak Tree
07:30 Aside
10:15 Death
13:24 Love pt. 1
15:04 Clothing pt. 1
16:21 Love pt. 2
21:30 Poetry
22:59 Politics
24:39 Metamorphosis
27:07 ‘Same Person, No Difference at All.’
35:23 Clothing pt. 2
39:20 Society
43:14 Maze
48:30 S*x
52:09 Birth


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