The Shocking Truth About Loudness in Commercial Music

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Mastering loudness is an important topic, especially as streaming services have become the dominant way people consume music. However, there are many misconceptions around loudness that can lead to poor mastering decisions. Some claim that if your loudness isn't competitive, your master will sound "weak," or that all commercial music is mastered extremely loud.

In this video, I'll break down the realities of loudness in music production and provide my expert insights on how loud you should master your music. I'll also reveal the surprising truth about loudness levels in professional, commercially-released productions.

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This video is NOT sponsored.

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⏰ Timestamps ⏰
00:00 - Introduction
00:30 - Discussion on mastering levels and mixing issues
04:06 - Effects of processing on loudness and dynamic range
06:12 - Analysis of loudness levels in popular songs
07:53 - Personal approach to mastering and sound quality



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Some of the gear and plugins I use in the studio:
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CUBASE 13 ➜ https://sweetwater.sjv.io/DKa04a
DAW CONTROLLER Presonus Faderport 16 ➜ https://sweetwater.sjv.io/5bXnGn
STREAM DECK ➜ https://amzn.to/3OFVHaO
MONOGRAM CC ➜ https://monogramcc.com/shop/
SPEAKER CONTROLLER ➜ https://sweetwater.sjv.io/gbvG75
MICROPHONE ➜ https://sweetwater.sjv.io/b3WVKB
STUDIO MONITORS:
KALI Audio IN-8 ➜ https://sweetwater.sjv.io/XxQVBM
HEADPHONES:
Audeze MM-500 ➜ https://www.audeze.com/products/mm-500
Austrian Audio Hi-X65 ➜ https://sweetwater.sjv.io/vno7MN
Beyer Dynamics DT770 ➜ https://sweetwater.sjv.io/LPzQ6O
STUDIO MONITOR CONTROLLER ➜ https://sweetwater.sjv.io/gbvG75

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