Lee 'Scratch' Perry and Friends CD2 Land Of Kinks - The Jamaican Upsetter Singles 1970 (Doctor Bird)
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Загружено: 2025-09-27
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Lee 'Scratch' Perry and Friends ::: Land Of Kinks - The Jamaican Upsetter Singles 1970 (Doctor Bird)
01. The Upsetters - Big Dog Bloxie [Let It Be Version]
02. The Soulettes - Let It Be
03. The Upsetters - Selassie Serenade
04. The Upsetters - Choking Kind
05. The Upsetters - Peck It
06. The Upsetters - Na Na Hey Hey (Kiss Him Goodbye)
07. The Upsetters - Grooving (Take 2)
08. Chuck Junior - Do It Madly
09. The Upsetters - This Man (Version)
10. O’Neill Hall - This Man
11. Chuck Junior - Penny Wise
12. The Upsetters - Fire Fire
13. Dave Barker & The Upsetters - Set Me Free
14. Lee Perry - Do You Like It
15. The Upsetters - The Jumper
16. The Upsetters - Hide Me (Take 2)
17. The Upsetters - The Pillow (Take 2)
18. Lee 'Scratch' Perry & The Upsetters - Kill Them All
19. The Upsetters - Shoo Bee Doo Ee [Version]
20. The Soulettes - Shoo Bee Doo Ee
21. The Upsetters - You Are The One (Take 2)
22. The Heaters - Melting Pot
23. Lee 'Scratch' Perry & The Upsetters - The Tackro
24. Lee Perry & Dave Barker - Yakety Yak
Lee Perry had reached the top of the Jamaican music business as the 1970s dawned. His international chartbuster, ‘Return Of Django’ had not just confirmed his standing as one of reggae music’s leading music makers, it also provided the funds that facilitated a significant increase in studio time, so providing the luxury of further experimentations with sound.
This is clearly evident in his output throughout 1970, during which time the proto-dub recordings of his regular session band The Hippy Boys provided the primary focus of his releases. The extent to which the quartet dominated Perry’s output during the first half of the year is demonstrated on this, the third volume of his Jamaican singles, with 75% of the collection comprising instrumental works.
Featuring 14 of the tracks new to CD and many others unavailable on any format since the 1990s, ‘Land of Kinks’ not only provides a fascinating insight into the evolution of Lee Perry as a producer, it is also offers the opportunity to discover some of the most ambitious and remarkable reggae recordings of the early 70s.
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