Elissabetha - Tombs of Fire (Ketzerei) (A Symphonic Gothic Song)

Описание: Lyrics:

Intro
Stone and breath
Ash and law
Truth stands still

Verse 1
We built our faith from sharpened words
From answers carved in stone
We crowned our minds with final thoughts
And called them truth alone

Verse 2
No doubt was left to enter us
No question dared remain
We closed the doors to mystery
And named the silence sane

Pre Chorus
We burned the gods we could not prove
And praised the flame we knew

Chorus
We stand in fire that does not move
Cold flames around our skin
Per me si va, per me si crede
Certainty becomes the sin
No prayer left, no fear allowed
We know, and that is all
Lascia la fede, tieni il nome
We will never fall

Verse 3
The tombs are warm, the minds are sealed
No wind disturbs the ash
We sleep inside our perfect thought
Where doubt was laid to rest

Verse 4
No heaven waits beyond this truth
No hell we did not claim
We shaped the world to fit our sight
And burned the rest as flame

Pre Chorus
We chose the fire that does not change
And called it light

Chorus
We stand in fire that does not move
Cold flames around our skin
Per me si va, per me si crede
Certainty becomes the sin
No prayer left, no fear allowed
We know, and that is all
Lascia la fede, tieni il nome
We will never fall

Bridge
Verità chiusa
Cuori di pietra
Fiamme immobili
Senza attesa

Chorus
We stand in fire that does not move
Cold flames around our skin
Per me si va, per me si crede
Certainty becomes the sin
No prayer left, no fear allowed
We know, and that is all
Lascia la fede, tieni il nome
We will never fall

Final Chorus
We stand in fire that does not move
No wind, no rise, no end
Per me si va, per me si crede
Ash obeys command
No prayer left, no fear allowed
No doubt to save us now
Lascia la fede, tieni il nome
Truth will never bow

Outro
Even fire can freeze

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This album accompanies the descent into Inferno
and interprets it through the voice of Elissabetha.

Inspired by Dante Alighieri’s Divine Comedy,
this is not a retelling of Hell as spectacle or horror —
but a reflection on guilt, judgment, and the weight of consequence.

Inferno follows the journey through inner and moral collapse:
not fire as punishment,
but fire as exposure.
Not demons as monsters,
but as mirrors.

Each chapter explores a different threshold:
the loss of innocence,
the rationalization of cruelty,
the slow acceptance of one’s own descent,
and the moment where suffering becomes normalized.

This is not a story of salvation.
It is a meditation on accountability,
on choices made without witnesses,
and on the silence that follows when excuses fail.

Musically, Inferno unfolds as a dark symphonic metal opera —
solemn, restrained, and ritualistic.
Choirs, orchestration, and heavy textures move deliberately,
never rushing, never glorifying the fall.
The music serves the descent, not the spectacle.

Elissabetha does not condemn.
She observes.
She bears witness.

Inferno is not about Hell after death.
It is about the Hell we enter willingly.

Elissabetha
Dark symphonic gothic metal inspired by literature, ritual, and inner descent.

Credits
Produced by Markus Beyer
Vocals: Elissabetha (AI)
Music: Suno AI
Artwork: Sora

Hashtags
#Inferno #Elissabetha #SymphonicMetal #GothicMetal #MetalOpera
#Dante #DivineComedy #DarkSoundtrack #LiteratureInspired #MarkusBeyer