Yassen Gregorovitch - The Archer

Описание: Yassen Gregorovitch - The Archer

Characters: Yassen Gregorovitch & Alex Rider. Also including John Rider, Mrs Jones, Jack Starbright, Julia Rothman, Nile & more
Song: The Archer by Taylor Swift
Show: Alex Rider (Seasons 1 - 3)


A little dive into why this song spoke to me and how I see Yassen and Alex’s relationship through it (I really care about this little show if you couldn't already tell!):

“The Archer” captures Yassen Gregorovitch’s inner conflict with haunting precision. Its fragile, confessional tone offers a glimpse beneath the surface of a man shaped by violence but not entirely consumed by it.

Yassen’s relationship with John Rider is the emotional core of his story — an act of humanity that left a lasting and even literal mark on him. It was the closest thing Yassen ever experienced to unconditional goodness, and it stayed with him long after John’s death. The lyric “I’ve been the archer, I’ve been the prey” captures the duality of his life: once the frightened boy in need of saving — the prey — he has since become the hunter, the assassin, the archer. His strength is the armour built over that lost vulnerability — a transformation born not of choice but of survival; the archer who still remembers being the prey, caught between mercy and violence, past and present, hero and ghost.

That same pattern repeats in his connection with Alex. The lyric “I search for your dark side, but what if I’m all right right here?” encapsulates the tension between them. Yassen, trying to train Alex, searches for the same darkness that once consumed him — believing it’s the only way to survive in their world, though part of him may also long for companionship within it. But Alex resists. He’s not drawn to that shadow; he still believes in his own goodness, in choice, in light. Where Yassen once had John to guide him out of the darkness, Alex now becomes the mirror showing Yassen what he lost — the innocence and morality he can no longer claim.

“Who could ever leave me, darling? But who could stay?” speaks to Yassen’s isolation. Everyone he has ever cared for has either left, died, or become a ghost in his mind. His connection with Alex carries that same doomed pull — protective and paternal, yet tainted by fear and distance. He can’t allow himself to get close, even as Alex awakens something human in him again.

Then there’s the lyric “All the king’s horses, all the king’s men / couldn’t put me together again,” which feels almost written for him — a man irreparably broken by loss, violence, and guilt. And “All of my heroes die all alone / Help me hold on to you” speaks directly to his grief for John — and for all the others he has lost along the way. Protecting Alex becomes his way of holding on to that lost part of himself — a final attempt to honour the man who once saved him.

The line “Hundreds of thrown-out speeches I almost said to you” reflects Yassen’s silence — his decision to keep Alex in the dark about his father. Perhaps this was his own attempt at an act of humanity, his way of saving Alex by keeping him out of the world that destroyed them both.

In the end, “The Archer” feels like Yassen’s unspoken confession — the quiet voice beneath his stoicism. He is the archer now: the killer, the mentor, the one in control. But he was once the prey — the frightened boy John chose to save. Caught between those two selves, Yassen remains both hunter and haunted — forever reaching for redemption just out of his grasp.