畫中屏 | Ecstasy

Описание: https://scgallery.art/cn/exhibition-l...

杜海銓個展：《畫中屏》 Jacky Tao Solo Exhibition: Ecstasy

Tao Hoi Chuen, Jacky 杜海銓
1 NOV 2025 - 13 DEC 2025

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SC Gallery將於十一月呈現杜海銓的第二次個展《畫中屏》，展出藝術家近期新作及其他精選作品。是次展覽杜氏以「屏」為主要視覺元素，透過屏風與屏幕的雙重隱喻，結合紙本工筆和塑膠彩等多元媒介的探索，重構都市景貌的視覺敘事。展覽將於11月1日開幕，持續至12月13日。

展題《畫中屏》呼應藝術家在近年創作中以電視螢幕、大型廣告板為影像載體，運用畫面切割的手法，呈現「畫中畫」的構圖。本次展覽杜氏進一步拓展這種複合空間的繪畫風格，他以描繪屏風和屏幕為出發點：屏風是古代劃分空間的傢具，帶藝術性的裝飾品；屏幕是現代社會不可或缺的資訊介面，數位世界的視窗。 兩者皆具「分隔」和「延伸」空間的雙重意義，杜氏藉借這特質，將個人遊歷與對街道、店舖與人物的細膩觀察，揉合並置在畫作中。杜氏通過對「屏」的想像，把現實中獨立的城市景觀轉化並連接成平面的視覺經驗，逐步建構出屬於自身的世界觀。

本次展覽中，杜氏也進行了物料上的探索，除了《出海記III》一類以白描手法完成的紙本作品外，亦會展出其全新的塑膠彩創作。這媒材用以展現高飽和度的色彩，常見於藝術家的壁畫創作。此次展出的《深宵便利店》系列即為塑膠彩布本，他以顏料加強視覺張力，在畫布上捕捉城市深夜與便利商店鮮活的光影對比。

In the coming November, SC Gallery is pleased to present the second solo exhibition of Tao Hoi Chuen, Jacky, “Ecstasy”, featuring the artist’s latest body of work and a curated selection of previous pieces. Using ‘screen’ as his central visual element, Tao delves into the dual metaphor between traditional pingfeng (folding screen) and modern display monitor. Through his materiality exploration with ink on paper and acrylic painting, he reconstructs the visual storytelling of the cityscape. The exhibition will open on 1st November and run till 13th December.

The show reflects the artist’s recent use of television screen and billboard as image carriers, creating a ‘painting within a painting’ through the division of composition. Tao further expands on the multi-spatial painting style where he starts by depicting pingfeng and display screen: the former is an ancient decorative furniture for separating space; the latter is an indispensable information interface of modern life, a window to the digital world. The two objects obtain both notions of ‘separation’ and ‘extension’ of space. Adapting these qualities, Tao integrates his travelling experiences with observations of streets, shops and people within his works. Through his conceptualization of ‘Screen’, Tao combines the fragmented urban landscapes of reality into a cohesive visual narrative, slowly and gradually constructing a worldview uniquely his own.

The exhibition also showcases Tao’s exploration of materials. In addition to paper-based works such as “A Voyage at Sea III” created with fine-line drawing technique, it features his new acrylic paintings. This medium, known for rendering high-saturated colors, is commonly used in Tao’s mural creations. The “Late-Night Convenience Store” series presented in the exhibition are all acrylic on canvas, where the artist uses the pigment’s intensity to enhance visual impact, capturing the vivid interplay of light and shadow between the midnight cityscape and the illuminated convenience store.

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