TIDAL Audio Loudspeakers. Hearing is believing!

Описание: TIDAL Audio Loudspeakers — 100% hand built in Germany
Featuring the TIDAL Piano, Contriva and Akira speakers.
Learn more at: http://bit.ly/387hDIR

There are some speakers you fall for the moment you see them. Sometimes that initial infatuation passes and you move on to the next temporary obsession. But then there are those instances in which the more you see, talk about, and learn about a speaker and its origins, the more you resolve to save up and buy them. Speakers from TIDAL Audio are just that.

TIDAL Audio speakers are often referred to as the Bugatti of audio. The fit and finish is second to none and highly respected in the industry. Our customers consider them the last speaker you own. TIDAL Audio’s guiding principle is to present the highest possible degree of reality in musical rendition. Anything less does not meet their demands.

"The Akiras are the best-looking, best-built, best-sounding speakers I have had in my listening room" - John Atkinson, Stereophile
Read the full Akira review here: http://bit.ly/3l8nJN3

Piano review on Soundstage by Aron Garrecht: http://bit.ly/36425Ts

Aspire for the best — Compromise Elsewhere!
Speakers from TIDAL Audio — Hearing is believing.

Learn more at: http://bit.ly/387hDIR

Available at The Voice That Is - Premium TIDAL Audio Dealer in the USA.
Contact us at (610) 359-0189 / http://www.thevoicethatis.com

Your trusted Dealer also representing Ultimate High End products: Acoustical Systems, Black Cat, Bricasti, CMS, Dohmann, Equitech, Grimm, HRS, Ideon, Ictra Design, Reed, Taiko, Thales, TIDAL, Vertere, VIMBERG, X-Quisite, and more!- * TVTI operates by appointment only.
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Supporting products visible in the video: Harmonic Resolution Systems VXR Stand; TIDAL Audio electronics; REL S/812 “Six Pack” Line Array; Grimm MU1 Music Server; Dohmann Helix TWO MkII; Thales Statement Tonearm; XQUISITE ST Cartridge; Critical Mass Systems CenterStage II footers; StillPoints Aperture Panels.

Videos Produced by Doug White
Shot and edited by Jana Dagdagan