You talk a lot of shit for someone in GLOO Cannon range

Описание: I hope you liked the video, and as always if you have any questions feel free to ask in the comments.

Music I used:
00.50 Luigi Boccherini Minuetto
   • Luigi Boccherini: Minuetto (classical)  
01.22 Cookiee Kawaii - Vibe (If I Back It Up)
   • Cookiee Kawaii - Vibe (If I Back It Up)  
01.45 Battle Without Honor Or Humanity, intro music, Kill Bill
   • Kill Bill Vol. 1 [OST] #9 - Battle Without...  
04.40 The Elder Scrolls IV - Oblivion Soundtrack - 04 Harvest Dawn
   • The Elder Scrolls IV - Oblivion Soundtrack...  
06.15 sad music hisohkah - school rooftop
   • hisohkah - school rooftop  
07.00 Cancun Sega (luxuriøus Remix) Instrumental
   • Cancun Sega (luxuriøus Remix) Instrumental  
07.17 Unstoppable Orinda Tabby
   • Unstoppable  
08.00 Metal Gear Solid 2 Soundtrack - Plant Sneaking Theme
   • Metal Gear Solid 2 Soundtrack - Plant Snea...  
09.10 Azealia Banks - Luxury (Official Audio)
   • Azealia Banks - Luxury (Official Audio)  
10.00 FUNK OF YOUR FEAR
   • FUNK OF YOUR FEAR  
10.23 Prey – Original Game Soundtrack – “Mind Game”
   • Prey – Original Game Soundtrack – “Mind Game”  







(Don't mind this it’s just for the SEO)

Prey (2017), developed by Arkane Studios and published by Bethesda Softworks, is a science-fiction immersive sim that combines first-person shooting, exploration, and role-playing systems into a highly reactive experience. Set aboard the massive Talos I space station orbiting the Moon, the game places players in the role of Morgan Yu, a scientist trapped after a mysterious experiment unleashes a hostile alien species known as the Typhon. With the station in chaos and survivors scattered, the player must uncover what happened, decide who to trust, and determine the fate of humanity while navigating a labyrinth of laboratories, living quarters, and maintenance corridors.

One of the defining aspects of Prey is its emphasis on player choice and environmental storytelling. Talos I is designed as a cohesive, interconnected space rather than a series of isolated levels. Every room feels purposeful, filled with emails, audio logs, and visual clues that gradually reveal the station’s history and the moral dilemmas behind the research conducted there. Players can tackle objectives in multiple ways: hacking locked doors, finding hidden maintenance routes, using strength upgrades to move obstacles, or even transforming into small objects to slip through tight openings. This flexibility allows each playthrough to feel personal and encourages experimentation.

The Typhon enemies add tension and unpredictability to the gameplay. Mimics, the most iconic type, can disguise themselves as everyday objects, forcing players to stay alert at all times. Other Typhon variants introduce new challenges, from telepathic creatures that control humans to powerful phantoms capable of devastating attacks. Combat is only one option; stealth, resource management, and creative problem solving often provide safer or more efficient solutions. Ammunition and supplies are limited, making every encounter meaningful and reinforcing the game’s survival-horror atmosphere.

Character progression is handled through neuromods, special upgrades that enhance Morgan’s abilities. Players can invest in human skills such as engineering, hacking, and combat proficiency, or experiment with alien powers derived from the Typhon themselves. Choosing alien abilities grants powerful advantages, including telekinesis and shape-shifting, but it also has consequences. Automated defenses may begin to see Morgan as a threat, and the narrative subtly reacts to the player’s moral and strategic decisions. This system reinforces the game’s central theme: what it means to remain human when given inhuman power.

The story of Prey unfolds gradually, blending mystery, philosophy, and psychological twists. As Morgan uncovers recordings and memories, it becomes clear that their identity and past actions are more complicated than they appear. The narrative explores themes of identity, responsibility, and empathy, asking players to consider how far they are willing to go to survive or to protect others. Multiple endings reflect the choices made throughout the game, encouraging reflection long after the credits roll.

Visually, Prey stands out for its retro-futuristic art direction, inspired by mid-century design and sleek corporate aesthetics. Talos I feels lived in, with art deco influences, panoramic space views, and carefully crafted lighting that enhances both wonder and dread. Combined with a haunting soundtrack and subtle environmental effects, the game creates a constant sense of isolation and discovery.

Ultimately, Prey (2017) is celebrated for its depth, freedom, and atmosphere. It rewards curiosity, experimentation, and thoughtful decision making, offering a rich single-player experience that remains memorable for its world design and narrative ambition.