Etel Adnan 伊特兒·亞特籃 (1925) Abstract Expressionism Americans

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Etel Adnan Callicoon Fine Arts is presenting paintings and other works by Etel Adnan at two of its New York spaces in an exhibition which is to run until 23 May 2014.
The eponymously-titled exhibition is to take place at 49 Delancey Street and 124 Forsyth Street, New York; each individual location is to demonstrate one single aspect of the Lebanese artist’s visual media. 124 Forsyth Street is to display a selection of the artist’s leporellos: large paper books which unfold in an accordion-like manner with the help of an intelligent folding and construction technique. The works, which expand greatly in size when opened, date back to 1968 when Adnan created Late Afternoon Poem, a leporello of text that would be otherwise unpublished. Letters intermingle with splashes of watercolour paint in an evocation of warfare and its disordered aftermath. Meanwhile, 49 Delancey Street gives the visitor a chance to discover an alternative aspect of Adnan’s artistic output; this time focusing on painting. The works on display represent a crucial motif of the artist’s work, Mount Tamalpais, north of San Francisco, which frequently appears as a source of inspiration and as a central object in many of her works.
伊兒·亞特籃 Etel Adnan 將在2014年5月23日的展覽中展出Etel Adnan在紐約兩個展位的繪畫和其他作品。
這個名字命名的展覽將在紐約的德克斯街49號和福賽斯街124號舉行。每個地點都是展示黎巴嫩藝術家視覺媒體的一個方面。福賽斯街124號將展出一系列藝術家的作品：大型紙質書籍，借助智能折疊和施工技術，以手風琴般的方式展現。這些作品在打開時的面積大大擴展，可以追溯到1968年，當時阿德南創作的“午後的詩”是一種以其他方式未發表的文本。在一場戰爭的召喚和無序的善後事件中，信件與潑水彩的油漆混合在一起。與此同時，德蘭街49號為參觀者提供了一個發現阿德南藝術產出另一個方面的機會。這次專注於繪畫。展出的作品是藝術家作品的重要主題，舊金山以北的塔馬爾佩斯山（Mount Tamalpais），在許多作品中經常被視為靈感的源泉和核心對象。