22nd Int.Festival“Ars vivendi clavicembalum”-SVETLANA STOJANOVIĆ KUTLAČA,06.11.2025,The SASA Gallery

Описание: 22nd International Festival “Ars vivendi clavicembalum – Harpsichord, Living Art””-SVETLANA STOJANOVIĆ KUTLAČA, harpsichord
Concert: “Music of Venice in the 17th and 18th centuries”
The SASA Gallery
06.11.2025., 18:00

Franco-Flemish two-manual harpsichord, replica made according to the original Hemsch (c. 1751) by the builder Mario Bjelanović (USA, 1982)
Audio and video recording: Miroslav Savić

The program:
Giovanni Picchi (1571–1643)
01:37 Pass’e mezzo
07:40 Saltarello
08:55 Padoana ditta la Ongara

Bernardo Storace (1637–1707)
11:55 Ciaconna

Girolamo Frescobaldi (1583–1643)
19:33 Cento Partite sopra Passacagli

Domenico Scarlatti (1685–1757)
29:00 Keyboard Sonata in A major, K. 74 (Presto)
31:50 Keyboard Sonata in A minor, K. 54 (Allegro)
34:00 Keyboard Sonata in A minor, K. 175 (Allegro)
36:09 Keyboard Sonata in D minor, K. 213 (Andante)
39:45 Keyboard Sonata in D major, K. 492 (Presto)

George Frideric Handel (1685–1759)
42:00 Air in D minor

Johann Sebastian Bach (1685–1750)
50:00 Aria variata ’alla maniera italiana’, BWV 989
1:00:30 Chaconne D minor

Biography:
Svetlana Stojanović Kutlača has graduated harpsichord and obtained Master of Arts degree on Faculty of Music Art (FMU) Belgrade, from the class of prof. Olivera Đurđević, and Doctor of Arts degree in harpsichord from class of prof. Zorica Ćetković. She has as well graduated piano on FMU Belgrade, class of prof. Zorica Dimitrijević Stošić, and graduated on the Belgrade Electrical engineering faculty. She had advanced training in harpsichord playing in Spain (one-year specialization, prof. Genoveva Galves), France (prof. Huguette Dreyfus), United Kingdom (prof. Colin Tilney, prof. Paul Simmonds), Germany (prof. Kristine Daxelhofer), and USA (prof. Marc Kroll). Her master’s thesis was “The elements of Spanish folklore in Domenico Scarlatti’s harpsichord sonatas”. Her doctoral thesis is “Approach to interpretation of character harpsichord pieces by French baroque composer Francois Couperin based on Platonic concept of universal harmony”. Svetlana Stojanović Kutlača concert career comprises solo recitals in Spain, United Kingdom, Switzerland, many recitals in Belgrade, also other towns in Serbia and Montenegro. As harpsichord duo member she has appeared with Hilary McQueen, Jacques Etienne Rouge, Steven Devine, Agnes Varollyay, Ana Stevanovic and Maja Kutlaca, as accompaniment to many vocal and instrumental soloists: David Dor, Stefan Milenković, Dragan Karolić, Predrag Gosta, Vojka Đorđević, Predrag Đoković, Vera Zloković, Radmila Stevović, Mirjana Savić, Anđelka Obradović, Ljubomir Dimitrijević, Ana Rajković, Karolina Baeter. She was associated to Belgrade Philharmonic rchestra and RTS orchestra. She has recorded on her own instrument (copy after Blanchet and Tascin built by Mario Bjelanović) 7 CDs with solo harpsichord music by Balbastre, Couperin, Rameau, Dufly, Scarlatti, also pieces by W. Byrd and John Bull on clavichord. She has performed Bach’s Goldberg variations, also has performed Bach concertos for 2, 3 and 4 harpsichords. Svetlana Stojanović Kutlača is concerned with aesthetical and musicological research that she has presented in concert-lectures series Musica mundana, Musica humana, Musica instrumentalis, lectures “Search for Harmony from Pythagoras to Bach”, “On expressivity in baroque”, “The idea of happiness in Francois Couperin’s pieces”, multimedia project “The Competition between Handel and Scarlatti”, performed in Switzerland, as well as in publications “Search for Harmony” and “Rationality and alchemy of Art”.