Celebrating Irrfan | Sutapa Sikdar & Babil Khan Interview with Anupama Chopra | Film Companion

Описание: One year after Irrfan's passing, his wife and son, Sutapa Sikdar and Babil Khan speak for the first time to Anupama Chopra about how they've coped with the grief of losing him, his last few days with them and why the loss felt so personal to the entire country.

#Irrfan #Babil #IrrfanKhan

00:41 - Sutapa on interacting with people after Irrfan's demise.
03:25 - Babil on living as Irrfan Khan's son.
03:49 - Sutapa on love is about pain.
05:30 - Babil on Irrfan wanting to cast a spell on the audience.
08:38 - Sutapa on Irrfan's cancer.
09:06 - Babil on last two days in hospital with Irrfan.
10:11 - Sutapa on Irrfan being curious about death.
14:11 - Babil on doctors telling him about Irrfan was going to go.
15:19 - Sutapa on Irrfan planning films with Babil.
16:22 - Babil on Sutapa doing anything and everything for Irrfan during his chemo's.
17:28 - Sutapa on Irrfan wouldn't pretend anything, he would say what he felt.
22:07 - Babil on Irrfan being his best friend.
23:45 - Sutapa on still Irrfan being present in the house.
26:57 - Babil on Irrfan asking him to learn acting from him.
28:56 - Sutapa on Irrfan wanting to go to Tonk.
30:24 - Babil on spirituality.
31:08 - Sutapa on watching films with Irrfan.
33:24 - Sutapa on Irrfan's NSD play incident.
40:02 - Babil on Sutapa's support in Irrfan's success.
40:48 - Sutapa on her son's respecting women.
41:41 - Babil on comparison with Irrfan and doing good cinema.
44:19 - Sutapa on social media & nepotism.
48:19 - Babil on wanting to be an actor since 8th grade, getting rejected in auditions.
50:02 - Sutapa on writing, producing & stillness in performance.
52:28 - Anupama Chopra on Irrfan being there in the legacy & generations of actors.

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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism and review of cinema and towards such purpose the programs use short extracts of cinematograph films, sounds recording and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works are in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.