Anant Manohar 'Antubuwa' Joshi | Puriya | मेरो जिया लागे ना | mero jiyaa laage naa

Описание: To mark the birth anniversary of Anant Manohar Joshi (March 8, 1881 – September 12, 1967)

मेरो जिया लागे ना पीतम बीन
तेरोही ध्यान, तेरोही सुमिरन
दरस दान दीज्यो नंदलाला ।
प्राणजीवन धन प्यारे मोहन
संग गोपियन, जप तप, व्रत माला ॥
– Madhukar Joshi

[The above, credited to Madhukar Joshi, Gajananbuwa Joshi's son is clearly a slight variation of what Antubuwa sings here. I would be grateful for more information on the bandish.]

***

I have tried to trace the recording and release dates of this and seven other 78 RPM sides by Antubuwa that I have, but have found no documentation. Any assistance would be appreciated.

***

Anant Manohar Joshi (March 8, 1881 – September 12, 1967)

Anant Manohar Joshi, called Antubuwa, was one of the foremost exponents of the Gwalior tradition in the early 20th century. Born in Kinhai near Aundh, Maharashtra, he trained with his father, Manoharbuwa, and then with Balkrishnabuwa Ichalkaranjikar.

The Sangeet Natak Akademi, awarding him in 1955, described him as an outstanding representative of the Hadoo–Hassoo Khan branch of the Gwalior gharana, a vocalist whose taans were noted for “variety, dexterity and grace”, and whose command over lahak-ki-tan remained striking even into his eighties.

He taught for decades, published primers and performed widely. His legacy continued through his son, Gajananrao Joshi (Gajananbuwa Joshi) – who drew on Gwalior, Jaipur and Agra traditions – and through grand disciples such as Ulhas Kashalkar, a pupil of Gajananbuwa and one of the leading khayal singers of our time.

Antubuwa died on September 12, 1967 at the home of his son in Dombivili, near Mumbai.

***

Shared strictly for educational, research, and non-commercial entertainment purposes under fair use and YouTube's copyright policies. This channel is not monetised and never will be. No copyright infringement is intended. If you wish for any recording to be removed, please don’t issue a copyright strike – just leave a comment and I’ll address it right away. Your help is welcome in correcting or completing lyrics, crediting the author, or identifying the raag.