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The Pipe On The Hob REVISITED - a jig in D Mixolydian tabbed and played by Aidan Crossey

Автор: The Irish Mandolin

Загружено: 2021-07-05

Просмотров: 111

Описание: 6 July 2021. There are two commonly-played jigs - neither related to the other - called The Pipe On The Hob. This tune brings back memories of various sessions stretching back 20 years or more where it made a frequent appearance...

Why "revisited"? In early June 2021 I took the opportunity to review the sound quality of the sound files in the videos which I posted to this channel when I first established it in November 2020. My original recordings were made with recording equipment which was a little more primitive than my current set-up and I hadn't figured out how to remove ambient noise from the sound files. I'm now using a Zoom H1n digital recorder and I clean away ambient noise and normalise the sound file to -3dB using Audacity software. I'm also playing better instruments than the Eastman MD304 which features on those early recordings. Therefore I decided to re-record the "offending" sound files with updated and improved versions. From time to time in these "revisited" videos I will play the tunes in both a mandolin version and a tenor guitar version, each of which will hopefully spotlight different aspects of the tune in question. I hope these new recordings are easier on the ear and a better aid to learning tunes than the original sound files.

Notated, tabbed for mandolin and played on his G&O #34 mandolin and separately on his Ashbury AT-40 tenor guitar by Aidan Crossey. More on this and many other tunes from the Irish musical tradition at www.TheIrishMandolin.com - follow the link to "learn some tunes".

Help support The Irish Mandolin. Volume 1 (100 tunes, £7.00) and Volume 2 (50 tunes, £3.50) now available to buy online at https://theirishmandolin.com/buy-the-... Your contribution will be gratefully received and much appreciated!

#mandolin #trad #tablature #GDAE

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The Pipe On The Hob REVISITED - a jig in D Mixolydian tabbed and played by Aidan Crossey

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