"Mike Dean knows how to add value to a record" - Symbolyc One on Kanye's Guilt Trip (Pt 15)

When Kanye West & Talib Kweli argued over the "Push Thru" beat - prod by Symbolyc One (Pt 17)

Beyoncé: "I want it to sound like Kanye, but not Kanye" - The making of "I'm That Girl"- (Pt 22)

"I hate that term"- The concept of producers having "runs" - DJ Khalil discusses (Pt 7)

Nas' 'N**r' album: How DJ Khalil narrowly missed a placement on this album for "Esco Lets Go" (Pt 8)

Elton John could have taken all the publishing from Aloe Blacc's "The Man" - DJ Khalil(Pt15)

Hip Hop Hooray: «Изначально мы не получили разрешение на использование сэмпла Isley Brothers» — д...

Drake - "Fear" : How DJ Khalil missed placements for "Thank Me Later" & "Take Care" (Pt 11)

Dr Dre wasn't fully sold on the final hook for "Kush" - producer DJ Khalil gives background (Pt 12)

S1 speaks about Drake's "Ice Melts", sample packs and other music business ventures (Pt 18)

The making of "3:AM" by Rapsody Ft Erykah Badu. - producer Symbolyc One gives background (Pt 25)

"It almost turned into beef!" - When The Game & DJ Khalil first met (Pt 10)

Aloe Blacc wasn't credited as a feature on Avicii - "Wake Me Up" - DJ Khalil (Pt 13)

Should gospel artists collaborate with secular artists? (Pt 20)

Amanda Seales cursing DJ Khalil out at the Clipse video shoot for "Kinda Like A Big Deal" (Pt 9)

There was three versions of Rapsody & Lil Wayne - "Raw". Symbolyc One gives background (Pt 24)

Beyoncé's "I'm That Girl" samples Tommy Wright's "Still Pimpin"- (Pt 21)

Working on Kirk Franklin's "Strong God" - Symbolyc One (Pt 19)

ODB has writing credits on Rapsody's "Raw" (Pt 23)

Majestic Arrows was sampled on Talib Kweli's Push Thru by Symbolyc One (Pt 16)