UFC 4 | Bruce Lee vs. Carla Lane(EA Sports UFC 4)

Описание: UFC 4 | Bruce Lee vs. Carla Lane(EA Sports UFC 4)
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Lee Jun-fan (Chinese: 李振藩; November 27, 1940 – July 20, 1973), commonly known as Bruce Lee (Chinese: 李小龍), was a Hong Kong American martial artist, actor, director, martial arts instructor and philosopher. He was the founder of Jeet Kune Do, a hybrid martial arts philosophy drawing from different combat disciplines that is often credited with paving the way for modern mixed martial arts (MMA). Lee is considered by commentators, critics, media, and other martial artists to be the most influential martial artist of all time and a pop culture icon of the 20th century, who bridged the gap between East and West. He is credited with helping to change the way Asians were presented in American films.

The son of Cantonese opera star Lee Hoi-chuen, Lee was born in the Chinatown area of San Francisco, on November 27, 1940, to parents from Hong Kong, and was raised with his family in Kowloon, Hong Kong. He was introduced to the film industry by his father and appeared in several films as a child actor. His early martial arts experience included Wing Chun (trained under Yip Man), tai chi, boxing (winning the Hong Kong schools boxing tournament), and street fighting (frequently participating in Hong Kong rooftop fights). Lee moved to the United States at the age of 18 to receive his higher education at the University of Washington in Seattle; it was during this time that he began teaching martial arts, later drawing significant attention at the 1964 Long Beach International Karate Championships. In the 1970s, his Hong Kong and Hollywood-produced films elevated the traditional martial arts film to a new level of popularity and acclaim, sparking a surge of interest in the Chinese nation and Chinese martial arts in the West. The direction and tone of his films dramatically influenced and changed martial arts and martial arts films worldwide.

Writing career
In the 1960s, Lane wrote short stories and radio scripts. Her first successes came in collaboration with Myra Taylor, whom she had met at a writers' workshop in Liverpool. Lane and Taylor would often meet at the Adelphi Hotel in Liverpool City Centre to write. She said that she used a pseudonym, "Carla Lane", because of her modesty about revealing that she was a writer.

With Taylor, she submitted some comedy sketch scripts to the BBC, where they were seen by the head of comedy Michael Mills. He encouraged them to write a half-hour script, which was broadcast as a pilot episode of The Liver Birds in April 1969. A short first series followed, to little acclaim, but Mills then declined to produce a second series, changing his mind when Lane and Taylor wrote a series of new scripts. The series became one of the most popular of the time, characterised by Lane's "ability to conjure laughs out of pathos and life's little tragedies", and, from 1973, Lane took sole responsibility for writing the scripts.[1]

Her successful screenwriting career continued through the 1970s and 1980s, in particular with the TV series Butterflies and Bread. In Butterflies, described as "undoubtedly ... her finest work", she addressed the lead character's desires for freedom from her "decent but dull" husband.[3] Wendy Craig, who starred in Butterflies, said of Lane: "Her greatest gift was that she understood women and wrote the truth about them ... She spoke about what others didn't. In the case of [Craig's lead character], it was all about what was going on inside her – and many other women at the time."[14]

In Bread, which ran for seven series,[4] "she became the first woman to mine television comedy from sexual and personal relationships through a galère of expertly-etched contemporary characters, developed against a backdrop of social issues such as divorce, adultery and.. alcoholism." In the late 1980s, Bread had the third-highest viewing figures on British television, beaten only by EastEnders and Neighbours.[1] However, Bread was criticised by some in Liverpool for portraying a stereotypical view of people in the city,[15] an opinion that Lane rejected