Panasonic Lumix GH6 V-log Dynamic Boost Mode C4K ProRes

Описание: Panasonic Lumix GH6 Dynamic Boost Mode Test Filmed in V-log C4K at 29.97fps

Camera =
https://www.panasonic.com/uk/consumer...

Lens =
Lens used = Panasonic LUMIX H-ES12060E 12-60 mm LEICA DG Vario-ElmarIT Standard Zoom -
https://www.panasonic.com/uk/consumer...

Captured in C4K at 29.97 fps in ProRes.

V-log Picture Profile with -5 sharpness and -5 noise reduction.

Exposure controlled via shutter angle.

Davinci Resolve Colour Space Transform (CST) applied in the free version of Davinci Resolve. Davinci Resolve project and CST settings are detailed below. Tweaks made to offset in Colour Primares logwheels on a shot by shot basis to match exposure. No noise reduction or sharpness applied.

V-log exposed to +3 and Colour Space Transform (CST) applied in Davinci Resolve. Details below.

Boost IBIS used for all shots and manually focused.

Dynamic Range Boost mode enabled for all shots.

Other Dynamic Range Boost mode tests here -    • Panasonic Lumix GH6 Dynamic Boost Mode Tes...   and here    • Panasonic Lumix GH6 Dynamic Range Boost Mo...   and more on my channel.

Other GH6 tests on my channel -

Sharpness and Noise Reduction in the HDR/HLG picture profile -    • Panasonic Lumix GH6 - HDR HLG Sharpness an...  
Noise Reduction in the HDR/HLG picture profile =    • Panasonic Lumix GH6 - HDR HLG Noise Reduct...  
Sharpness in the HDR/HLG picture profile =    • Panasonic Lumix GH6 - HDR HLG Sharpness Te...  
GH6 Dynamic Range Boost Mode Test 2 =    • Panasonic Lumix GH6 Dynamic Boost Mode Tes...  

Edited in Davinci Resolve free edition and exported as a 10 bit DNxHR file.

Dynamic Range Boost was used, so most shots at a minumum ISO of 2000 in this mode.

Most shots have a shutter angle of 11 degrees - 90 degress as no ND filter used.

AWB with a +1 push to amber

Panasonic Lumix GH6 V-log Davinci Resolve project settings and Colour Space Transform (CST) settings -

Project Settings - Colour Management Tab

Color Science = Davinci YRGB Color Managed
Color processing mode = Custom
Use seperate color space and gamma check box = unchecked
Input color space = Panasonic V-Gamut/V-log
Timeline color space = Davinci WG/Intermediate
Timeline working luminence = Custom 10000 nits
Outut color space = Rec.709 Gamma 2.4
Limit output gamut to = Output color space
Input DRT = Luminance Mapping
Output DRT = Luminance Mapping

Then the three check boxes all checked
Apply resize transformations in = Gamma
Graphics white level = 100 nits

Color Space Transform settings -

Color Space Transform

Input Color Space = Panasonic V-Gamut
Input Gamma = Panasonic V-Log
Output Color Space = Rec.709
Output Gamma = Rec.709

Tone Mapping
Tone Mapping Method - Luminance Mapping

After the above minor tweaks made to offset in Colour Primaries logwheels.

Panasonic Lumix GH6 reviews -
https://www.dpreview.com/reviews/pana...
https://www.techradar.com/reviews/pan...
https://uk.pcmag.com/cameras-1/141205...
https://www.imaging-resource.com/PROD...
https://www.thephoblographer.com/2022...
https://amateurphotographer.com/revie...

Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 ASPH reviews -
https://www.ephotozine.com/article/le...
https://www.photographyblog.com/revie...
https://www.imaging-resource.com/lens...
https://www.opticallimits.com/m43/100...
https://blog.mingthein.com/2017/11/21...
https://www.mirrorlessons.com/2017/03...




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