OBOE masterclass by Céline Moinet | Oboe Concerto in D Major, Op. 144 by Richard Strauss

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Annotated sheet with the professor's advices

About this oboe masterclass:

Oboe Concerto in D Major, Op. 144 by Richard Strauss
Recorded with Céline Moinet and Ho Ting Tsui in October 2020.
Accompanying pianist Jean-Baptiste Doulcet

Oboe professor Céline Moinet discusses how to play effectively with an orchestra through active listening, among other principles with student Ho Ting Tsui.

0:00 Intro and playing part from Ho Ting Tsui
1:33 Advice part from Céline Moinet

In this oboe masterclass, Céline Moinet underlines the relationship between soloist and orchestra. Moinet begins her instruction by telling Ho Ting Tsui to carefully listen to the accompaniment. This is echoed throughout the class as she advises her student to avoid rushing the notes in order to secure a dialog between soloist and orchestra. Maintaining a stable tempo, as the master puts it, is imperative. In addition, the oboe teacher specifies that playing vivace is not about playing fast but about playing with character and humor. It is meant to be played as if it is ‘full of life.’ Even with vivace, the master indicates, it is important to keep a solid tempo and avoid rushing the notes.

Other crucial elements that are discussed in this session include breathing, and more specifically, how to breathe in order to save air and energy, as well as when to breathe in order to achieve a high level of expression. The goal is to tell a story, which is accomplished by being expressive, changing color, and adding contrast.

What we learn:
Maintaining a stable tempo.
Cultivating dialog between solo and accompaniment.
Breathing techniques.
Playing expressively and with contrast.
Following themes in the repertoire as they are written.

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