Largo, No. 9 From the New World Dvorak-Urban Playground Chamber Orchestra-Harry T. Burleigh Society

Описание: As a part of “From Song Came Symphony” conductor Thomas Cunningham and the Urban Playground Chamber Orchestra perform "Largo," Symphony No. 9 "From the New World" (1893) by Antonin Dvorak (1841-1904). The movement is introduced by baritone Lawrence Craig in honor of Harry T. Burleigh's impact on Dvorak's composition of the symphony.

The Czech-born composer Antonín Dvořák was a New Yorker from 1892–1895. He was invited to U.S. by Jeanette Thurber to head the nascent National Conservatory of Music and took up residence on East 17th Street. He brought immediate European cachet to the American compositional scene, but he also brought a foreigner’s perspective. Dvořák, unlike so many, recognized the importance of African American musics—especially the spiritual—and Native American musics. He was deeply impacted by Harry T. Burleigh, who was a student at the Conservatory while he was director. It was Dvorak’s listening to spirituals sung by Burleigh that inspired the melodic theme of this famous movement. Before the orchestra performs, baritone Lawrence Craig envokes Burleigh’s concert spiritual arrangement of “Deep River,” the song that launched the career of Craig’s mentor baritone William Warfield, as well as so many others. It was pieces like “Deep River” that inspired Dvorak to write his ninth symphony and incorporate melodic themes from American music traditions. In an interview with the New York Herald from May 21, 1893, Dvořák shared, “I am now satisfied that the future music of this country must be founded upon what are called the negro melodies. This must be the real foundation of any serious and original school of composition to be developed in the United States. When I first came here last year I was impressed with this idea and it has developed into a settled conviction.These beautiful and varied themes are the product of the soil. They are American.” This movement also appeared on the 1940 New York Philharmonic concert on which And They Lynched Him on a Tree was premiered. 

The concert took place on Wednesday, May 8th, 2019 at 7:30pm in the Langston Hughes Auditorium of the Schomburg Center for Research in Black Culture.

The Harry T. Burleigh Society (@burleighsoc) is a non-profit organization that advances studies of black art music through scholarship and performance. Grounded in African American history and culture and committed to social justice, the Society continues Burleigh’s radical legacy of disrupting boundaries and challenging social norms. Fortified by the beauty and bravery of his model, the Society consciously shapes arenas where encounters between disparate racial, religious, generational, national, and creative groups can thrive. Founded on the 150th anniversary of Burleigh’s birth, the Society follows generations of African American music-makers and intellectual laborers, working to center their foundational contributions to American music.

Born in New York City in 2014, Urban Playground Chamber Orchestra (@UPChamberOrch) is a non-profit organization that prioritizes the music of women and composers of color to further enliven the classical canon. The ensemble is malleable in size, genre and venue, and creates new spaces for classical music in partnership with our diverse, vibrant audience. Urban Playground broadcasts historically marginalized voices, and nurtures emerging composers. Musicians from Urban Playground currently play with the New York Philharmonic, Beyoncé, the Metropolitan Opera Orchestra, Broadway, Late Night television programs, and lead a variety of solo and chamber projects.

https://www.burleighsociety.com/
http://www.upchamberorchestra.org/