GENNY FALL WINTER 2025/2026 FASHION SHOW| A TRIBUTE TO THE MERIT OF WOMEN

Описание: The journey through the Genny archive, where prototypes
and models designed for the brand from 1962 to the present
day are found, liberates Sara Cavazza Facchini’s creativity,
who invents a new vocabulary of feminine signs for fall/
winter ‘25-’26. It starts with the tassel, an ornament made
of a bunch of threads braided at one end, which in Hindu
religion evokes the spiritual awakening process leading
to bliss, while in ecclesiastical and military heraldry it
indicates the dignity of the wearer. For Versace in 1993,
it was a graphic sign of great elegance, a sort of geometric
grid closed at the bottom by the tassel, to which a heart,
an eternal symbol of love, is added today. For Sara, it is a
true honor bestowed upon women, exquisitely feminine
with the tuxedo jacket, loose trousers, a vest, and bowtie,
which is actually a bow. Tassels are omnipresent. Printed or
embroidered with two or three different techniques on the
men’s shirt but also transformed into extraordinary three-
dimensional decorations woven into the jacquard mohair
pullover or even used as embroidered pendants on loafers
and slingbacks, in silk and crystals on warm knits, and in
leather on evening bags.
Almost all the decorative elements of the collection come
from the archive, starting with the small metal tubes around
the cardigan’s neckline, transformed into a new type of
piping, moving on to the G of Genny, which becomes both
a buckle and button, and then to the perforated brass bezel
used as a medal celebrating the value of femininity. The
hearts to which the tassel is attached join a golden chain
in the new belt-jewelry. And then there is the wide coat
cut like a military overcoat that Sara drapes backwards,
fastening the sleeves like corset ribbons on the back, thus
creating the volumes of an extraordinary black and white
evening dress. The colors of light and shadow are often
combined in the various outfits, as in the Taoist theory of
Yin and Yang, while also emphasizing an interesting search
for new forms, including the cape with a deep, crater-like
back neckline or the peplum featuring both geometric and
round rods on the evening blouses. Among the dominant
shades is the midnight blue of the double-breasted coat and
suits taken from his wardrobe, a warm camel tone on the
enveloping coat with double lapels, and a hint of pink in the
classic masculine patterns such as herringbone or Scottish
tartan. All with a very British taste in tailored garments
and very couture in the evening ones. The tassel pattern is
embroidered onto a spectacular blue-black cage corset that
releases the full romantic beauty of a modern woman who
knows how to love others as much as herself. A tribute to the
merit of a new femininity.