Barco at ISE 2026, QDX RGB + Encore 3 + EC210: 4K60 multi-output processing, UDM/F80 projector stack

Описание: Barco walks through a high-end projection and live-event processing stack that spans 1DLP and 3-chip DLP, with a clear focus on rental fleets, repeatable optics, and predictable color workflows. The headline is the QDX 45K-class platform in native 4K, shown in RGB laser for wide-gamut work (Rec.2020 coverage is the key talking point) while keeping lens compatibility aligned with existing Barco glass to protect lens inventory ROI. https://www.barco.com/en/product/encore3

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HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
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On the projection side, the conversation ranges from compact 6,000-lumen class units up to the QDX family, plus the i600 1DLP lineup (8K/10K/15K lumen classes) and specialty optics aimed at museums and tight installs. Barco calls out an “elbow” ultra-short-throw concept where physics typically costs 20–30% of light, and contrasts that with straight-through UST optics (notably a 0.5 throw) to reduce mirror complexity and keep image quality clean.

For simulation and high-motion content, the F80 is positioned around native 4K with high frame rate behavior, while the “baby 3-chip” UDM sits below QDX in size and weight but still targets serious output (up to the 30K-lumen class). Across the range, Barco emphasizes vertical integration around the light engine—sourcing laser diodes directly and designing the projector around that engine—plus cloud connectivity for integrators who want monitoring and service visibility.

The other half of the video shifts to Barco’s Event Master ecosystem: Encore 3 as the flagship image processor with 8× 4K60 outputs in one chassis, scalable by linking units for larger canvases and multi-screen compositions. The EC30 and EC210 event controllers are shown as tactile show-control surfaces for rapid preset recall and T-bar operation, with firmware updates aligning controller support and training workflows. This was filmed at ISE 2026 in Barcelona, so the demos lean heavily into live events and integration use-cases rather than cinema-only storytelling.

Finally, SwiftAgent appears as a software-based switching layer for hybrid production: multiple 4K60 camera inputs, several 4K program outputs, and IP streaming formats like RTSP, SRT, and NDI in the mix, with audio-follow and automated camera behavior discussed as iterative roadmap features. The underlying theme is repeatable 4K60 signal paths—capture, process, scale, and route—built for operators who need deterministic latency and clean 12-bit 4:4:4 processing across large pixel canvases.


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This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

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