Heinrich Schütz - Magnificat a 18 (SWV 468)

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Heinrich Schütz composed four extant settings of the Magnificat or Song of Mary, one of the three New Testament canticles. He set one in Latin and three in German. In the Schütz-Werke-Verzeichnis (SWV), the compositions have the numbers 344, 426, 468 (in Latin) and 494. The settings on the German text are all part of larger groups of works. They are settings of Martin Luther's German Magnificat, Meine Seele erhebt den Herren (My soul magnifies the Lord). Schütz wrote the compositions for different forces and occasions.
The Magnificat or Song of Mary is one of the three New Testament canticles, the others being Nunc dimittis and Benedictus. Mary sings the song on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (Luke 1:39–56). Magnificat, a regular part in Catholic vesper services, was also used in the Lutheran church, in vespers and for Marian feasts.
Schütz set the Magnificat text once in Latin and five times in German, Meine Seele erhebt den Herren (My soul magnifies the Lord), also called German Magnificat. Schütz composed them at different times for different forces, occasions and purpose. Some belong in the context of a larger collection. Two of the settings in German are lost.
Schütz composed the sacred concerto Magnificat anima mea, SWV 468 (also called the Uppsala Magnificat) in 1665 for double SATB choir, SATB soloists (Favoritchor), three trombones, two violins, organ, and basso continuo. The double SATB choir can be rendered by voices and instruments, or by instruments alone. Craig Smith describes the work's "dazzling color".