Pieter Claesz 彼得·克萊斯 (1597-1660) Baroque Dutch

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Pieter Claesz (c. 1597–1 January 1660) was a Dutch Golden Age painter of still lifes.
He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. He moved to Haarlem in 1620, where his son, the landscape painter Nicolaes Pieterszoon Berchem was born (October 1).[1] He and Willem Claeszoon Heda, who also worked in Haarlem, were the most important exponents of the "ontbijt" or dinner piece. They painted with subdued, virtually monochromatic palettes, the subtle handling of light and texture being the prime means of expression. Claesz generally chose objects of a more homely kind than Heda, although his later work became more colourful and decorative. Claesz's still lifes often suggest allegorical purpose, with skulls serving as reminders of human mortality. The two men founded a distinguished tradition of still life painting in Haarlem. Pieter Claesz was influenced by the artist movement 'Vanitas'.
Claesz is registered in the Haarlem Guild of St. Luke as the teacher of his son, Nicolaes Berchem, in 1634, but Nicolaes preferred landscapes to still life painting and later after a trip his talent in music. Claesz had, in addition to his son, the pupils Evert van Aelst, Floris van Dyck, Christian Berentz, Floris van Schooten, and Jan Jansz Treck.
彼得·克萊斯（Pieter Claesz）（1660年1月15日至15日）是荷蘭黃金時代的靜物畫家。
他出生在比利時的比爾奇，安特衛普附近，他在1620年成為聖盧克公會的成員。他於1620年搬到哈勒姆，他的兒子，風景畫家尼古拉斯．彼得暑．貝爾赫姆(Nicolaes Pieterszoon Berchem)出生（10月1日）。 [1]他和Willem Claeszoon Heda也在哈勒姆工作，是“ontbijt”或晚餐的最重要的指數。他們塗上柔和的，幾乎單色的調色板，微妙的處理光和質感是表達的主要手段。 Claesz通常選擇比Heda更親切的物品，雖然他的後期工作變得更加豐富多彩和裝飾。克萊斯的靜物常常暗示著寓言的目的，頭骨是提醒人類死亡。兩人在哈勒姆創作了靜物畫的傑出傳統。 Pieter Claesz受到藝術家運動“Vanitas”的影響。
克萊斯茲在1634年在聖路加市哈勒姆公會註冊為他的兒子尼古拉斯·貝爾赫姆，但尼古拉斯喜歡風景畫靜物畫，後來他的音樂才華。除了他的兒子，克萊斯還有學生Evert van Aelst，Floris van Dyck，Christian Berentz，Floris van Schooten和Jan Jansz Treck。