Markus Raetz 馬庫斯·拉茨 (1941) Op Art Conceptual Art Swiss

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Markus Raetz Born 1941 in Büren an der Aare (CH), lives in Bern
Literature at the Art Library Sitterwerk
Film about Markus Raetz
In his forty years of work, Markus Raetz has repeatedly addressed the deceptiveness of perception: what seems unambiguous is exposed and its validity relativized; what seems unrelated suddenly develops, as if by magic, a meaning. Not only art is in the eye of the beholder. The knowledge of the objects proves to be a question of movement and mobility.
Markus Raetz (born 6 June 1941) is a Swiss painter, illustrator and sculptor.
Born in Büren an der Aare near Bern, Raetz obtained a teacher's education and taught primary school until 1963, when he embarked on an artist's career with stays in Bern, Amsterdam, Carona (Ticino) and Berlin. He married Monika Müller in 1970, and has a daughter with her, Aimée.
Since the 1960s, Raetz has created numerous works, including more than 30,000 drawings.[2] His work focused on drawings and paintings in the 1960s and 1970s, and continued with sculptures in the 1980s and 1990s, beginning with the sculpture Der Kopf in the Merian Park in Basel (1984). The principal topic of his work is the nature of perception. His works do not focus on what they portray, but on how they are perceived. They often require interaction by the viewer, and can be understood only when viewed in motion or from different angles.
Raetz has exhibited works at numerous international exhibitions, including at documenta 4, 5 and 7. Works by him are held by public collections including the Museum of Modern Art in New York, the Schaulager in Basel, the Museum für Moderne Kunst in Frankfurt, the Kunstmuseum Basel and the Kunstmuseum Bern. He was awarded, among other recognitions, the Prix Meret Oppenheim in 2006 and the Gerhard-Altenbourg-Preis in 2004. He is represented by the gallery Farideh Cadot Associés since 1981.
Raetz, Markus; Haldemann, Anita; Kunstmuseum (2012). Markus Raetz: Ausstellung im Kunstmuseum Basel, 20.10.2012 - 17.2.2013. Ostfildern: Hatje Cantz Verlag. ISBN 9783775733847.
馬庫斯·拉茨在阿勒河畔比倫（CH）生於1941年，生活在伯爾尼
文學在藝術圖書館Sitterwerk
影片講述了馬庫斯·拉茨
在他40年工作，馬庫斯·拉茨曾多次討論感知的欺騙性：似乎什麼明確的暴露和其有效性相對化;什麼似乎無關突然的發展，彷彿被施了魔法，一個意思。不僅藝術是在旁觀者的眼睛。對象的知識證明是運動和流動性的問題。
馬庫斯·拉茨（生於1941年6月6日）是瑞士畫家，插圖畫家和雕塑家。
出生在阿勒河畔比倫伯爾尼附近，雷茨得到老師的教育，教小學直到1963年，當他開始了一個藝術家對伯爾尼，阿姆斯特丹，卡羅納（提契諾州）和柏林停留的職業生涯。他於1970年結婚莫尼卡·繆勒，與她的女兒，艾梅。
自1960年以來，雷茨創造了無數的作品，其中包括超過30000的圖。[2]他的工作主要集中在20世紀60年代和70年代的素描和油畫，並在20世紀80年代和90年代的雕塑繼續進行，在巴塞爾雕塑明鏡科夫在梅里安公園（1984年）開始。他的作品的主要議題是感知的本質。他的作品不注重他們描繪什麼，但它們是如何察覺。它們通常需要相互作用由觀看者，並且在運動或從不同的角度觀察時只能理解。
雷茨曾在眾多國際展覽會展出的作品，包括在卡塞爾文獻4,5和7。作品由他的公共收藏，包括現代藝術在紐約的博物館，Schaulager在巴塞爾，博物館獻給法蘭克福摩登孔斯特，正在舉行巴塞爾藝術博物館和伯爾尼美術館。他被授予，其它認可外，大獎賽梅里特·奧本海姆在2006年和格哈德 - Altenbourg-PREIS在2004年他由畫廊Farideh Cadot ASSOCIES自1981年以來代表。