NEW Blackmagic Pyxis 12K & Live Workflow Explained | MPS 2025

Описание: 🎥 At the Media Production Show 2025, Darren from Blackmagic Design dives into the brand-new Pyxis 12K camera and how it fits into the larger Blackmagic live production ecosystem. From the power of Blackmagic RAW to end-to-end camera-switcher integration, this video is packed with insights for filmmakers, streamers, and broadcast pros.

✅ Key Topics Covered:

The launch and purpose of the new Pyxis 12K

Why it’s the perfect B-cam for URSA 12K setups

Full benefits of staying inside the Blackmagic ecosystem

Camera-to-switcher integration: tally, talkback, control

Matching color science across multiple cameras

Blackmagic RAW efficiency & flexibility

Choosing the right ATEM switcher for your production

New Resolve Replay tools for live + post workflows

🆕 Just launched. Available now.
🛠️ Ideal for: live production, multi cam, film, streaming, sports

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00:00 - 00:21 – 🎤 Intro: Blackmagic at MPS 2025

00:21 - 00:44 – 🚨 Launching the Pyxis 12K: Origin & Purpose

00:44 - 01:01 – 📸 Built from the URSA 12K Sensor

01:01 - 01:16 – 🎛️ Pyxis vs. URSA: What’s Different?

01:16 - 01:35 – 🧰 Modular Design for Studio & Location Work

01:35 - 01:59 – 🔁 Why Uniform Camera Ecosystems Matter

01:59 - 02:26 – 🎚️ Camera Control, Talkback, and Tally via SDI

02:26 - 02:55 – 🎨 Color Matching Across Blackmagic Cameras

02:55 - 03:11 – 🎥 BRAW for Live + Post: Flexibility & Retouching

03:11 - 03:27 – 💡 Codecs, Color Data & Misconceptions on File Size

03:27 - 03:46 – 🧠 Choosing the Right ATEM Switcher

03:46 - 04:05 – 🔌 HDMI vs SDI & ISO Recording Options

04:05 - 04:27 – 🗂️ ISO Models Explained + In-Camera ISO Support

04:27 - 04:51 – ⏪ Resolve Replay Tools for Live Sports & Events

04:51 - 05:00 – 🧩 Live + Post + Cine Worlds Collide

05:00 - 05:12 – 🙏 Wrap-Up & Thanks

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