Charles Gounod – FAUST: Scène du Jardin – Quatuor & Duo (Gedda, los Ángeles, Christoff, Gorr)

Описание: FAUST
Opéra en 5 actes
Composer: Charles Gounod (1818–1893)
Libretto : Jules Barbier & Michael Carré, after Goethe’s Faust, part 1 (1808)
First performed : Théâtre Lyrique (boulevard du Temple), Paris, 19 March 1859

SETTING: Germany, 16th century

PLOT: The philosopher Faust sells his soul to Méphistophèles in exchange for youth. Faust seduces and then abandons Marguerite, who gives birth to an illegitimate child. He then murders her brother, the soldier Valentin, who curses Marguerite with his dying breath. Marguerite goes mad and kills her child; Faust and Méphistophèles go to the prison to rescue her, but she rejects them. She dies and her soul rises up to heaven.

‘Faust’ was one of the most successful operas of the nineteenth century. Like Berlioz ('La damnation de Faust', 1846:    • Hector Berlioz - LA DAMNATION DE FAUST - "...  ) before him, Gounod read Faust as a young man, as a 20-year-old Prix de Rome student, and dreamt of composing music for it. (Goethe himself had wanted Mozart or Meyerbeer to set it to music.)

It was surprisingly unsuccessful when it was first performed; it was found too learned and not tuneful enough. The problem was that Gounod’s music was in a different style from French grand opéra to which audiences were used; it was an early opéra lyrique. Berlioz, however, admired the work, going so far as to use the word ‘masterpiece’. Reyer considered it ‘among the most beautiful works of the time; a work in which inspiration and beauties of the first order erase very light imperfections’.

The audience did not embrace ‘Faust’ until the revised version of 1862. From that time, Gounod was seen as France’s leading opera composer. Its 500th Parisian performance took place in 1887, its 1,500th in 1912 and its 2,000th in 1934.

Scène: ‘Seigneur Dieu, que vois-je? …’
Quatuor du Jardin: ‘Prenez mon bras, un moment’
Duo: ‘Il se fait tard, adieu! … O nuit d'amour, ciel radieux’

While Faust tries to seduce Marguerite, Méphistophèles distracts her neighbour Marthe. The devil calls upon the forces of night to help him break down Marguerite’s scruples. Faust’s seduction goes smoothly until Marguerite panics and urges him to leave. Reluctantly he obeys, but insists on returning the next day. Méphistophèles detains Faust, who watches Marguerite stand at her bedroom window and whisper her love for him to the night. Faust calls to her; they fall into each other’s arms – while the devil cackles in sardonic glee.

Faust (tenor): Nicolai Gedda
Marguerite (soprano): Victoria de los Ángeles
Méphistophèles (bass): Boris Christoff
Marthe Schwerlein (mezzo-soprano): Rita Gorr

Conductor : André Cluytens
Orchestre & Chœurs du Théâtre National de l’Opéra
Paris, 1958