ycliper

Популярное

Музыка Кино и Анимация Автомобили Животные Спорт Путешествия Игры Юмор

Интересные видео

2025 Сериалы Трейлеры Новости Как сделать Видеоуроки Diy своими руками

Топ запросов

смотреть а4 schoolboy runaway турецкий сериал смотреть мультфильмы эдисон
Скачать

The Four Levels of Meaning in Film Interpretation

Автор: Film & Media Studies

Загружено: 2023-01-31

Просмотров: 10945

Описание: This video provides an overview of David Bordwell and Kristin Thompson's account of the four levels of meaning in films and artworks, which is laid out in their textbook Film Art. The four levels of meaning originates in David Bordwell's book Making Meaning: Inference and Rhetoric in Film Interpretation. The video goes over each of the four levels--referential, implicit, explicit, and symptomatic meaning--examining Bordwell and Thompson's examples of meaning in The Wizard of Oz, and I provide my own examples of meaning in Rear Window.

Correction: Around minute 17, I suggest that Laura Mulvey's reading of Rear Window can be considered a "symptomatic reading." This is not quite accurate. Mulvey's famous essay is indeed conducting a symptomatic reading of the conventions of classical Hollywood storytelling, but her readings of the films Rear Window and Vertigo is not straightforwardly "symptomatic" because she suggests (in a single sentence) that these two films are *about issues of gender and sexuality. In other words, she seems to imply that Hitchcock is reflecting upon these issues in these films, which would make her reading of these films closer to a thematic/implicit reading, or at least exist in a hazy boundary between thematic/implicit and symptomatic.

Не удается загрузить Youtube-плеер. Проверьте блокировку Youtube в вашей сети.
Повторяем попытку...
The Four Levels of Meaning in Film Interpretation

Поделиться в:

Доступные форматы для скачивания:

Скачать видео

  • Информация по загрузке:

Скачать аудио

Похожие видео

2 Modes of Film Analysis: Poetics vs Hermeneutics

2 Modes of Film Analysis: Poetics vs Hermeneutics

Mulvey's

Mulvey's "Visual Pleasure and Narrative Cinema" and Psychoanalytic Theory

What is the Abject?: Intro to Barbara Creed's The Monstrous Feminine

What is the Abject?: Intro to Barbara Creed's The Monstrous Feminine

Urs - Animated short film (2009)

Urs - Animated short film (2009)

David Bordwell and Kristin Thompson on Their Story in Film Studies

David Bordwell and Kristin Thompson on Their Story in Film Studies

КАК СКАЗАТЬ ‘БРЕЗГЛИВЫЙ’ по-английски

КАК СКАЗАТЬ ‘БРЕЗГЛИВЫЙ’ по-английски

Why Every Film Today Looks the Same

Why Every Film Today Looks the Same

What is Mise-en-scène?: Marie Antoinette (Coppola, 2006)

What is Mise-en-scène?: Marie Antoinette (Coppola, 2006)

David Bordwell on His Girl Friday (1940)

David Bordwell on His Girl Friday (1940)

Breaking Down the Classical Hollywood Style

Breaking Down the Classical Hollywood Style

Реконструкции лиц Генриха VIII и его шести жён | Как они выглядели на самом деле? | Роялти-сейчас

Реконструкции лиц Генриха VIII и его шести жён | Как они выглядели на самом деле? | Роялти-сейчас

Введение в семиотику

Введение в семиотику

Изучите анализ фильма на примере 20 фильмов

Изучите анализ фильма на примере 20 фильмов

The Bizarre Process of Writing ‘North by Northwest’ | Screenwriting

The Bizarre Process of Writing ‘North by Northwest’ | Screenwriting

Do Film Students Really Need To Know Much About Classic Films?

Do Film Students Really Need To Know Much About Classic Films?

10 Introductory Books to Film Studies

10 Introductory Books to Film Studies

Why Do Movies Feel So Different Now?

Why Do Movies Feel So Different Now?

David Bordwell on narrative and acting in 1940s Hollywood films

David Bordwell on narrative and acting in 1940s Hollywood films

Нет, старые фильмы не похожи на пьесы. Вот почему

Нет, старые фильмы не похожи на пьесы. Вот почему

Bazin's

Bazin's "Evolution of the Language of Cinema" Part 2

© 2025 ycliper. Все права защищены.



  • Контакты
  • О нас
  • Политика конфиденциальности



Контакты для правообладателей: [email protected]