Поле Пересечений - Следы Остались Не Нам - Red Note Jazz

Описание: This release stands as a single constructed field rather than a sequence of separate works. Its language is built from proximity, pressure, and restraint, with each element positioned in relation to the others rather than pushed forward for emphasis. The recording is conceived as an ensemble system in which balance and proportion guide every decision, allowing tension and release to arise through interaction instead of display.

The album is a conceptual ensemble recording shaped through human artistic direction and artificial intelligence. Artificial intelligence is employed strictly as a formal analytical and generative instrument, used to examine pattern, proportion, ensemble behavior, and long form balance. It operates under human judgment, historical awareness, and aesthetic intent, never as an autonomous voice.

Treated as an archival document, the work aligns with early European jazz thinking of the 1960s, prioritizing physical presence, spatial awareness, and collective motion over virtuosity. The result is a cohesive statement where traces remain, but authorship dissolves into structure.

Tracklist

Residual Field — Остаточное Поле

Displaced Routes — Смещённые Пути

Marked Surfaces — Отмеченные Поверхности

Lines Without Claim — Линии Без Владения

Fractured Passage — Разломленный Проход

Shared Imprint — Общий Отпечаток

Repeated Crossing — Повторное Пересечение

Withheld Direction — Сдержанное Направление

Weight of Contact — Тяжесть Контакта

Interrupted Grid — Прерванная Сетка

Accumulated Distance — Накопленная Дистанция

Tangible Absence — Осязаемое Отсутствие

Offset Bearings — Смещённые Ориентиры

Narrow Exchange — Узкий Обмен

Recorded Pressure — Зафиксированное Давление

Partial Return — Частичное Возвращение

Uneven Ground — Неровная Почва

Latent Motion — Скрытое Движение

Oblique Contact — Косое Соприкосновение

Secondary Path — Второстепенный Путь

Held Position — Удержанная Позиция

Reworked Map — Переработанная Карта

Passing Constraint — Проходящее Ограничение

Fixed Residue — Закреплённый Остаток

Remaining Trace — Оставшийся След


Conceptual Ensemble
Piano
Double Bass
Drums
Tenor Saxophone
Trumpet



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