Franco Corelli & Coro - O holy night - | 25.03.1965
Автор: The collector
Загружено: 2025-07-13
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#FrancoCorelli #Oholynight #AdolpheAdam
3/25/65: Concert (benefit): New York, St. John’s University, Alumni Hall, Jamaica Campus, ore: 2030: combined Glee Clubs of St. John’s University and Orchestra; maestro direttore Anton Guadagno
Gioachino Antonio Rossini - Guglielmo Tell - Sinfonia
Manuel de Falla - Jota - (Canciones populares españolas) (C)
Giacomo Puccini - Tosca - Recondita armonia (C)
Francesco Paolo Tosti - 'A vucchella - (Gabriele d’Annunzio) (C)
Pietro Mascagni - L'amico Fritz - Intermezzo
Giacomo Puccini - Tosca - Recondita armonia - (C)
Giacomo Puccini - La fanciulla del West - Ch' ella mi creda (C)
Ludwig van Beethoven - Christus am Ölberge - Halleluja - (coro)
Wolfgang Amadeus Mozart - Requiem Dies Irae - (coro)
Giuseppe Verdi - Il trovatore - Di quella pira - (C)
Interval
Jules Massenet - Le cid - O souverain, ô jude, ô père - (C)
Edoardo di Capua - 'O sole mio - (Giovanni Capurro) (C)
Amilcare Ponchielli - La gioconda - Danza delle ore -
George Posford - The world is mine Tonight - (Holt Marvell) (C)
Ernesto de Curtis - Tu, ca' nun chiagne! - (Libero Bovio) (C)
César Franck - Panis angelicus - (Thomas Aquinas) (C, coro)
John Francis Wade - Adeste fideles - (C, coro)
Charles Gounod - Messe solennelle de Sainte-Cécile Sanctus (coro)
Adolphe Adam - O holy night - (Placide Cappeau) (C, coro)
Salvatore Cardillo - Core 'ngrato - (Riccardo Cordiffero) (C)
Gilberto Starone gives March 25 as the date of the St. John University concert. Other sources have March 8. A and programme from the concert has "Monday Evening, the Eight of March, at Eight Thirty, Ninteen Hundred and Sixty-Five." Had the concert been postponed there would have been more than enough time to reprint the programme. I could find no review of the concert in the NY Times. The programme itself indicated Gluck’s Paride ed Elena: "O, del mio dolce ardor" in place of De Falla’s "Jota", and does not indicate "Core ’ngrato" which may have been performed as an encore.
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