Felix Mendelssohn Venetian Boat Song Op, 19 No. 6

Описание: Pianist Pablo Cintron performs Felix Mendelssohn Venetian Boat Song.

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The eight volumes of Songs Without Words, each consisting of six "songs" (Lieder), were written at various points throughout Mendelssohn's life, and were published separately. The piano became increasingly popular in Europe during the early nineteenth century, when it became a standard item in many middle-class households. The pieces are within the grasp of pianists of various abilities and this undoubtedly contributed to their popularity. This great popularity has caused many critics to under-rate their musical value.[citation needed]

The first volume was published by Novello in London (1832) as Original Melodies for the Pianoforte, but the later volumes used the title Songs Without Words.[1]

The works were part of the Romantic tradition of writing short lyrical pieces for the piano, although the specific concept of "Song Without Words" was new. Mendelssohn's sister Fanny wrote a number of similar pieces (though not so entitled) and, according to some music historians, she may have helped inspire the concept. The title Song Without Words seems to have been Felix Mendelssohn's own invention. In 1828, Fanny wrote in a letter "My birthday was celebrated very nicely ... Felix has given me a 'song without words' for my album (he has lately written several beautiful ones)."[1]

Mendelssohn himself resisted attempts to interpret the Songs too literally, and objected when his friend Marc-André Souchay sought to put words to them to make them literal songs:

What the music I love expresses to me, is not thought too indefinite to put into words, but on the contrary, too definite. (Mendelssohn's own italics)[2]

Mendelssohn also wrote other Songs Without Words not collected in volumes, and published only in recent years. Furthermore, original drafts exist for many of the 'Songs' many of which differ quite substantially from the eventually published versions.[3] In 2008, the Italian pianist Roberto Prosseda recorded a collection of Mendelssohn's Songs Without Words for Decca Records totalling 56 Lieder, some of them never recorded before.

Other composers who were inspired to produce similar sets of pieces of their own included Charles-Valentin Alkan (the five sets of Chants, each ending with a barcarolle), Anton Rubinstein, Ignaz Moscheles and Edvard Grieg (his 66 Lyric Pieces). Two Songs Without Words (Op. 10) for piano were also written by Mykola Lysenko. Both Alkan and Rubinstein frequently included items from Mendelssohn's Songs in their recitals. Ferruccio Busoni, who considered Mendelssohn "a master of undisputed greatness", turned to the Songs Without Words in the last year of his life for a projected series of recitals in London.

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