Lab Notes - GDSE - LFOlogical Morphogenesis I

Описание: Warning: exposure to lab notes may decrease interest levels. Human consumption not advised.

TL;DR -- hairy human jabs at inscrutable device (likely fake, broken, both); implies ensuing discordance bears casual relation to jabs (likely delusional, deceptive, or both).

Here we're using 4 frequency-coupled LFOs (on the far left) into Morph 4 (far right) to mix and match the levels and sources that are compared against each other and themselves in the Compare 2 (one to the left), which creates streams of triggers that we use in the Walk 4 (one left again) to determine when we should sample from the original LFO waveforms from the beginning. These sampled values are then quantized to something approximating a "musical scale" and are feed into 4 synth voices whose base frequencies are something approximating "in tune".

In short, the LFO shapes and frequencies are the source of both the notes you hear and the rhythm in which you hear them as determined by this magical "Morph 4" contraption. As we pass in different amounts and mixtures of each wave, it samples itself differently and generates new stable structure all the while.

Who knows what that means, but I'm calling it "LFOlogical morphogenesis".