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Knowledge Bomb #12: Fixing Bass, Reflection Points, Decoupling Subs & More

Автор: Acoustics Insider

Загружено: 2024-10-16

Просмотров: 7685

Описание: ►► Download the FREE Home Studio Treatment Framework and get everything out of your room and speakers → https://www.acousticsinsider.com/home...

Learn how to build your own professional-looking broadband bass trap that works down to 40Hz and a diffusor front that keeps your high-end lively:
→ https://www.acousticsinsider.com/bbt

Guess what? It’s Knowledge Bomb time again! 💣💥

In this latest video, I’m tackling your top acoustic questions and dropping some serious studio wisdom. If your bass is a mess, you’re lost with reflection points, or you’re just not sure if that fancy subwoofer decoupler is worth it, this one’s got you covered.

As always, I’m cutting through the fluff and breaking down the topics into bite-sized chunks that you can actually use in your studio. Check out what’s inside.

Timecodes:
00:00 - Introduction to Acoustics Insider and Knowledge Bombs
00:20 - Free Home Studio Treatment Framework Explained
02:08 - Phantom Center vs. Flat Bass Response: What's More Important?
05:02 - How I get rid of reverb in my YouTube videos
08:29 - Acoustic Treatment Materials: Understanding Density and Gas Flow Resistivity
11:08 - Rating Jesco's Home Studio: Acoustic Performance and Comfort
12:44 - Should You Decouple Your Speakers and Subwoofer?
15:43 - Using EQ with Loudness Compensation for Better Mixing
18:11 - The Mirror Trick for Acoustic Panel Placement: How to Find Reflection Points
20:24 - Low-End Management: Setting Speaker Cutoffs for Bass Control
25:11 - How to Align Subwoofers and Speakers Using REW
28:46 - Understanding Baffle Step: How Speaker Design Affects Sound

Related blog post on Acoustics Insider:
https://www.acousticsinsider.com/blog

Resources in this video:
Open Sound Meter: https://opensoundmeter.com/en/

Acoustics Insider on Social Media:
   / acousticsinsider  

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Knowledge Bomb #12: Fixing Bass, Reflection Points, Decoupling Subs & More

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