Asger Jorn 阿斯潔．喬恩 (1914-1973) Art Informel COBRA Denmark

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Asger Jorn was born Asger Oluf Jörgensen in Vejrum, Denmark, on March3, 1914. He visited Paris in fall 1936, where he studied at Fernand Léger's Académie contemporaine. During World WarII, Jorn remained in Denmark, painting canvases that reflect the influence of James Ensor, Vasily Kandinsky, Paul Klee, and Joan Miró and contributing to the magazine Helhesten (Ghost horse, nine issues, 1941–44).
Jorn traveled to Swedish Lapland in summer 1946, met Constant (Constant Nieuwenhuys) in Paris that fall, and spent six months in Jerba, Tunisia, in 1947–48. His first solo exhibition in Paris took place in 1948 at the Galerie Breteau. At about the same time the group Cobra (1948–51), an acronym for Copenhagen, Brussels, Amsterdam, was founded by Karel Appel, Constant, Corneille (Guillaume Cornelis Beverloo), Christian Dotremont, Jorn, and Joseph Noiret. The group's unifying doctrine was the complete freedom of expression with an emphasis on color and brushwork. Jorn edited monographs of the Bibliothèque Cobra before disassociating himself from the movement.
In 1951 Jorn returned, poor and ill, to Silkeborg, Denmark, where his family had moved when he was an adolescent. He began his intensive work in ceramics in 1953. The following year he settled in Albisola, Italy, and participated in a continuation of Cobra called Mouvement International pour un Bauhaus Imaginiste (International movement for an imaginist Bauhaus, 1953–57). Jorn's activities included painting, collage, book illustration, prints, drawings, ceramics, tapestries, commissions for murals, and, in his last years, sculpture. He participated in the movement Internationale Situationniste (Situationist International, 1957–72) from 1957 to 1961 and worked on a study of early Scandinavian art between 1961 and 1965. After the mid-1950s Jorn divided his time between Paris and Albisola. His first solo show in New York took place in 1962 at the Lefebre Gallery. From 1966 Jorn concentrated on oil painting and traveled frequently, visiting Cuba, England and Scotland, the United States, and Asia. Jorn died on May1, 1973, in Aarhus, Denmark.
阿斯潔．喬恩出生阿斯潔．奧拉夫約根森在Vejrum，丹麥，三大騰飛上，1914年，他在1936年秋天訪問了巴黎，在那裡他就讀於費爾南·萊熱的CONTEMPORAINE的Académie。在世界WarII，喬恩留在丹麥，畫反映詹姆斯·恩索爾，瓦西裡·康定斯基，克利和米羅的影響，促進了雜誌Helhesten（鬼馬，九個方面的問題，1941年至1944年）的畫布。
喬恩前往瑞典拉普蘭夏天1946年，在巴黎落在滿足恆（恆NIEUWENHUYS），並在傑爾巴，突尼斯花了半年時間，在1947-48。他的首次個展在巴黎舉行，1948年在畫廊布雷圖。大約在同一時間組眼鏡蛇（1948年至1951年），哥本哈根，布魯塞爾，阿姆斯特丹的縮寫，是由卡雷爾·阿佩爾，恆力，乃依（紀堯姆科內利斯Beverloo），克利斯汀·多托蒙，喬恩和約瑟夫·諾瓦雷成立。該小組的統一的學說表達對色彩和筆觸的重點完全自由。喬恩從機芯解離自己之前編輯的圖書出版眼鏡蛇的專著。
1951年喬恩回來了，窮人和生病時，去錫爾克堡，丹麥，當他是一個青少年他的家人已經搬走了。他開始了他在陶瓷緊張的工作於1953年。次年，他在Albisola，意大利定居，並參加了眼鏡蛇的延續所謂的國際運動倒未包豪斯Imaginiste（國際移動對於imaginist包豪斯，1953一1957年）。喬恩的活動包括繪畫，拼貼畫，書籍插圖，版畫，素描，陶瓷，掛毯，壁畫為佣金，並在他的最後幾年，雕塑。他參加了運動國際歌Situationniste（情境主義國際，1957年至1972年），1957年至1961年和1961年和1965年之間早期的斯堪的納維亞藝術研究工作的50年代中期後，喬恩分為巴黎和Albisola之間的時間。他的首次個展在紐約發生於1962年在Lefebre畫廊。從1966年喬恩集中在油畫和經常旅行，訪問古巴，英格蘭和蘇格蘭，美國和亞洲。喬恩死於May1，1973年，在丹麥奧爾胡斯。