許德彰 Tak-Cheung HUI：“Ring... Tree Rings IV”【世界首演】〔world premiere〕

Описание: 節目製作｜2024 還有那些好想讓你聽懂的音樂
演出時間｜2024.12.31（二）19:30
演出地點｜臺中國家歌劇院小劇場
演出｜
長笛：Katrin Szamatulski、吳正宇
Katrin Szamatulski, Cheng-Yu WU, flute
單簧管 ：王冠傑
Kuan-Chieh WANG, clarinet
巴松管：王芃惠
Peng-Hui WANG, bassoon
小提琴：William Overcash
William Overcash, violin
中提琴：廖培雅
Pei-Ya LIAO, viola
大提琴｜Nathan Watts
Nathan Watts, cello
打擊：Ross Aftel、邱鈺玲
Ross Aftel, Yu-Ling CHIU, percussion, percussion
鋼琴：李臺軒
Tai-Hsuan LEE, piano

曲目解說｜
此作品將我們的周遭環境轉化為地圖——從高空俯瞰、水下深潛，或漂浮於水面之上。這些景觀被凝練成視覺圖像，並刻錄在黑膠唱片上，年輪般紋理轉化為節奏性的噪音模式。

這些噪音模式成為作品的脈動核心，推動音符的流動，並塑造音色、動態與樂句等參數。樂隊與這一節奏基礎展開互動，將人性的表達編織進結構化的模式之中。最終，作品呈現出一幅別樣的聲音景觀圖，於物質世界與聲音之間建立對話——以另外一種視角探索環境、數據與音樂的交集。

This work transforms our surroundings into maps—views from above the earth, beneath the water, or along its surface. These landscapes, distilled into visual forms, are imprinted onto a vinyl disc, where the grooves translate into rhythmic noise patterns.

These tree-ring-like patterns become the pulse of the piece, driving musical gestures and shaping parameters such as texture, dynamics, and phrasing. The ensemble interacts with this rhythmic foundation, weaving human expression into the structured flow of the mapped patterns.

The result is a sonic landscape where the physical world is reimagined in sound—a dialogue between the tangible and the abstract, offering a unique perspective on the intersection of environment, data, and music.