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G.F. Händel - Messiah, HWV 56 (Collegium & Collegium Vocale 1704) | Part 2

Автор: Total Baroque

Загружено: 2020-04-09

Просмотров: 39391

Описание: From Dvorak Hall, Rudolfinum in Prague, 2016
Oratorio performed by Collegium 1704 under the baton of Václav Luks

Watch the full oratorio: https://bit.ly/Haendel-Messiah-Colleg...
Subscribe for more content: https://goo.gl/ZWoSxm

Collegium 1704
Collegium Vocale 1704
Marie-Sophie Pollak - soprano
Raffaele Pe - countertenor
Krystian Adam - tenor
Kresimir Strazanac - bass
Václav Luks - conductor

George Frideric Händel - Messiah, HWV 56 - Part 2
0:03 Scene 1: Christ's Passion
22. Behold the Lamb of God (chorus)
23. He was despised and rejected of men (alto)
24. Surely he has borne our griefs and carried our sorrows (chorus)
25. And with his stripes, we are healed (fugue chorus)
26. All we like sheep have gone astray (duet chorus)
27. All they that see him laugh him to scorn (secco recitative for tenor)
28. He trusted in God that he would deliver him (fugue chorus)
29. Thy rebuke hath broken his heart (tenor)
30. Behold and see if there be any sorrow (tenor)

26:02 Scene 2: Christ's Death and Resurrection
31. He was cut off (tenor)
32. But thou didst not leave His soul in hell (tenor)

28:48 Scene 3: Christ's Ascension
33. Lift up your heads, O ye gates (chorus)

31:40 Scene 4: Christ's reception in Heaven
34. Unto which of the angels (tenor)
35. Let all the angels of God worship Him (chorus)

33:28 Scene 5: The beginnings of Gospel preaching
36. Thou art gone up on high (soprano, alto, or bass)
37. The Lord gave the word (chorus)
38. How beautiful are the feet (soprano, chorus)
39. Their sound is gone out

43:00 Scene 6: The world's rejection of the Gospel
40. Why do the nations so furiously rage together (bass)
41. Let us break their bonds asunder (chorus)
42. He that dwelleth in heaven (tenor)

47:38 Scene 7: God's ultimate victory
43. Thou shalt break them with a rod of iron (tenor)
44. Hallelujah (anthem and fugue chorus)

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G.F. Händel - Messiah, HWV 56 (Collegium & Collegium Vocale 1704) | Part 2

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